Ever find yourself flipping channels, stumbling across an old favourite show and wonder: “Whatever happened to…?” Is the star you had a crush on back in the day a hunk now? Did the couple dating off screen stay together? Where are they now? Glad you asked! MSN Entertainment has the answers Here.
This is from CinemaBlend.com:
Judd Apatow’s name has been attached the rumors about Ghostbusters 3 since they first began, with all reports saying he would be the producer for the film written by The Office writers Lee Eisenberg and Greg Stupnitsky. Now the production has gotten so close to actually happening that Production Weekly is listing it– and wouldn’t you know, Apatow Productions is right there in charge.
Sure, it’s not huge news– we could probably have assumed from the first rumor that Apatow would be involved, given that he’s the reigning demi-god of comedy. But the inclusion in Production Weekly means the whole thing is actually happening, beyond just Dan Aykroyd and Bill Murray getting asked awkward questions about the project’s status. No actor names are attached to the Production Weekly piece, but at this point, it seems like only a matter of time before the gentlemen prepare to suit up a third time.
Lets hope Apatow doesn’t screw this up…For old times sake:
In honor of the soon to be released Bond movie, Quantum of Solace, Hollywire has compiled a great list recapping all 22 James Bond movies. Its funny to think how ridiculous some of the movies got during the Roger Moore years, Bond on the moon? Come on, Roger Moore just seems like a cartoon version of Bond when you look back… There’s also a running commentary on the similarities between the older movies and the Austin Powers parody movies which is pretty entertaining. Check it out:
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To hold you over until the release, we just received 2 new behind-the-scenes clips off the bonus features for the DVD. One gives a sweet look at Edward Norton “Becoming the Hulk” and the other takes a look at the casting Edward Norton as the Hulk.
Becoming the Hulk:
Making of - Casting:
The DVD hits stores on 10/21
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See exclusive behind the scenes footage of the casting process for the role of Biggie in NOTORIOUS. Features interviews with the Director, Casting Directors, and Ms. Wallace!
In Theatres 2009
This is an age old question that has been asked many times, but its always fun to see which movies get chosen as the worst of all time. The gang over at Videogum have a battle raging for the worst of all time, while DivineCaroline created a list of 10 (mostly) different, but equally as terrible flicks.
Heres an interesting article from TheOneRing.net on Guillermo Del Toro and his plans for the upcoming Hobbit movies:
How did this whole process get started?
GDT: I met Peter (Jackson) a long time ago when we were planning on doing ‘Halo’ together, I really love how they have that setup in New Zealand, I call it ‘Hollywood the way God intended it’. New Zealand has all the technical advantages when doing a big movie and you are shooting it in paradise, both in terms of artistic freedom and commitment.
When ‘Halo’ didn’t happen, Peter and I stayed in contact on a regular basis, and last winter I started getting inklings that ‘The Hobbit’ may come this way, mainly from the studio. The first thing I said was that I would only be interested if Peter was involved and the (New Line Lawsuit) problem gets resolved. When that issue was resolved I got a call from Peter and we chatted, and it started from then, it was my Christmas gift!
Fans are all abuzz about ‘The Second Film’, can you tell some of your plans for it?
GDT: You know, I traveled to New Zealand just a little while ago, and one of the main reasons for going was to sit down and talk about the second film. ‘The Hobbit’, the book, is really one self-contained film, so for the second movie we sat down and worked it out. When we did this we got really excited because this second film is not a ‘tag on’, it’s not ‘filler’, it’s an integral part of telling the story of those 50 years of history lost in the narrative. There will be certain things that we will see from the first movie but from a different point of view, but it will feel like a volume, in the 5 volumes of the entire story. It will not feel like a bridge, I’ve been hearing it called ‘a bridge film’, it’s not, it’s an integral chapter of the story, and I think we’re all on the same page.
You will be moving down to New Zealand for 4 years, is that right?
GDT: Approximately, my whole family, but the first stages of design and R&D will be done with me going back and fourth from LA and New Zealand because there are a lot of things I need to put to bed before I finally move to New Zealand. I’m going much sooner than my relatives would like!
We will officially be doing a lot of prep on ‘The Hobbit’ this summer, there is so much to do, its amazing. Just the reforestation of The Shire, re planting all those trees and plants will take months, and we’re going to be as exact as possible.
Films like ‘Pan’s Labyrinth’ used a few studio sets to simulate outdoors, will you be doing the same for ‘The Hobbit’ or will you be making use of New Zealand’s wilderness like Peter did?
GDT: I think green screen photography is exactly like CGI, it is a tool, I don’t think it should be overused. Things like ‘Pan’s Labyrinth’ and ‘The Devil’s Backbone’ are incredibly dependent on location, we shot on location for more than half the time. Those locations can be enhanced by technology however, both digital and physical. What I would like to avoid is the recreation of the natural environments in CG, I don’t like doing that. The movie is essentially a journey movie, I think you need to use locations as much as possible.
You’ll be using WETA Digital for the effects?
GDT: Yes, the essential elements for keeping continuity are on track, in the last few weeks I’ve been chatting with a ton of people via email, phone, and in person from the previous films. People like Andy Serkis, Sir Ian McKellen, Howard Shore, John Howe, Gino Acevedo, Richard Taylor next week I’m meeting Alan Lee. I’m doing this to ensure that whatever we do we keep continuity with the other films, yes it’s a world that is slightly more golden at the beginning, a very innocent environment.
What I’m trying to do is keep the elements in place but allow you to feel a progression from ‘The Hobbit’ until ‘The Return of the King’. I believe ‘The Hobbit’ is a very crucial volume in The Lord of the Rings, it is a narrative that starts out very much in an innocent and golden way. It is permeated from England going through World War One, so there is a loss of innocence and a darker tone as the book and the film progresses. We’ll be doing that in the first film, taking you from a time of more purity to a darker reality throughout the film, but I think that is in the spirit of the book. All these guys, Alan Lee, John Howe, these guys are integral for us to map out that progress in the two movies, and allow you to completely blend in to the universe that is already in place. But this will be a progression, it should not feel at the start of the film that this is the same time (as the beginning of ‘Fellowship’). 50 years in Shire time, is not the same as 50 years in human time, if you think about how our world has changed in only 7 or 8 years, you can think of it as decades of turmoil, those 50 years in Middle-earth.
Do you have any roles cast?
GDT: Well, I had the most charming meeting with Sir Ian, and all bureaucracy pending, he’s on board, as is Andy Serkis. We will continue giving you progress reports as the occur. It is our intention that we will not lose any of the key elements.
What will differ from your films versus Peter’s?
The only thing I will be pushing for more in these films that the other three are full animatronics and animatronic creatures enhanced with CGI, as opposed to CGI creatures themselves. We really want to take the state-of-the-art animatronics and take a leap ten years into the future with the technology we will develop for the creatures in the movie. We have every intention to do for animatronics and special effects what the other films did for virtual reality.
Another thing people will notice, at the beginning of the film will be the palette, that will be slightly different, the world will be the same but it will be a more ‘golden’ world, a more wide-eyed world. But by no means will we depart from the canon, we will take the three previous films as canon. When I become part of a world that I love, such as this, I really come with a lot of enthusiasm and hard work, and we know we are recreating and creating a world that is part of the mythos of millions of people and we will approach it as passionately and respectfully as it needs to be taken.
Turns out that the audience aren’t the only ones who are confused about where LOST is headed… Check out this article from TV Guide where the cast members from the confusing and addictive TV show ask their own producers what the deal is!
“It’s no shock to say that Season 4 ends with the Oceanic 6 getting off the island,” LOST executive producer Damon Lindelof shares with TV Guide. “The real mystery is how, and what they have to sacrifice, and what happens to the people who didn’t leave. You get all that this year.” Sounds good, we’ll take it. But what other intel are producers willing to spill? To find out, we turned to no, not viewers but to Lost cast members themselves for their own burning questions. Warning! The producers’ answers could cause a major head rush, if not a full-on Desmond-style time jump.
Jorge Garcia (Hurley): “Is Ben in the coffin?”
Carlton Cuse: Come on, Jorge!
Damon Lindelof: Seriously! [To Cuse] He’s just trying to make sure it’s not him. It’s process of elimination. The next question is, “Is it Michael?” [Laughs]
Cuse: Before the end of the year, you will know who’s in the coffin.
Lindelof: And Jorge will definitely know before anyone else.Yunjin Kim (Sun): “Is Aaron actually one of the Oceanic 6?”
Cuse: We’re not officially saying yet. We want the audience to engage in an active debate about who the Oceanic 6 are.
Lindelof: Following [Sayid’s] episode, we got several inquiries we weren’t anticipating about, ‘Is Ben a member of the Oceanic 6?’ He could’ve assumed the identity of somebody on the plane [with] no surviving family members. Who the actual six are is very much in play through the end of the [March 13th] episode. We’ll confirm or deny after that.Josh Holloway (Sawyer): “Is it Jack’s turn with Kate?”
Cuse: [Laughs] That doesn’t sound very romantic, but I guess we get the underlying meaning. The Jack-Kate situation remains unresolved and probably will be for a while.
Lindelof: We will say we haven’t seen the last of Sawyer and Kate this season. Not by a long shot.Henry Ian Cusick (Desmond): “It’s 2004 on the boat. What year is it in Penny’s world? What year is it when the Oceanic 6 get home?”
Lindelof: What’s fundamentally interesting about all the time-jumping is that we want it to make sense when people watch the show 10 years from now. We don’t want it to seem dated. So it’s not really about what year it is in the outside world, it’s about how many years have elapsed between the time that we’re watching on the island and the flash-forwards. That’s one of the fun games the audience is playing: “Gee, Aaron looks like he’s about 18 months old. What does that mean, and how old was he when they got off the island?”
Cuse: There are some growth issues when you go on or off the island. But I can’t say more about that.
Lindelof: You’ve already said enough.Evangeline Lilly (Kate): “Did Michael reach the mainland? Go home? Come back to rescue us?”
Cuse: The good news is that Evie will get all of her answers in [the March 20th] episode.
Lindelof: Well, most of them.
Cuse: Those questions form the basis for that episode. Evie should be somewhat happy.Elizabeth Mitchell (Juliet): “Why did Juliet become such a badass? Who trained her — the Others?”
Cuse: I think there was probably some martial arts in New Otherton.
Lindelof: She probably went out shooting with Friendly back in the day, which is why she can handle a firearm so well. But the real inspiration for Juliet being a badass was Elizabeth herself. When she read for the part, she had this huge cast on her arm and was talking about her days of kickboxing….
Cuse: And then she beat Damon up.Holloway: “Sawyer needs a freakin’ haircut! Since I’m living with Hurley, can he cut my hair?”
Lindelof: [Laughs] That episode’s a casualty of the strike.
Cuse: But yeah, Josh can have a haircut.
Lindelof: Josh might’ve forgotten, but this is a recurring request from him. He’s like, ‘My hair’s getting long, can’t Kate cut it?’ So we did an episode [in Season 2] where Kate cuts his hair. I love how Josh chooses who’s going to be his barber at any given time!Cusick: “Did Jack’s flash-forward in the third-season finale take place after the events of Sayid’s most-recent episode?”
Cuse and Lindelof: Yes.Naveen Andrews (Sayid): “Damon spoke once about going back into Sayid’s childhood. It didn’t sound like bulls–t at the time. Has he abandoned that?”
Lindelof: I love how he phrases it — “It didn’t sound like bulls–t at the time” — [implying], “But it certainly seems like bulls–t now.” [Laughs] It’s certainly something we still want to do. It wouldn’t necessarily be an entire flashback based in his childhood, but there may be significant things that happened when Sayid was a kid that we need to reveal.
Universal Pictures’ has just launched their full website for the upcoming quick-witted romantic comedy, Leatherheads, starring George Clooney, Renée Zellweger, and John Krasinski! Charge over to the site at www.leatherheadsmovie.com to view NEW web features:
Synopsis:
Oscar® winners George Clooney and Renée Zellweger match wits in Leatherheads, a quick-witted romantic comedy set against the backdrop of America’s nascent pro-football league in 1925.
Clooney plays Dodge Connolly, a charming, brash football hero who is determined to guide his team from bar brawls to packed stadiums. But after the players lose their sponsor and the entire league faces certain collapse, Dodge convinces a college football star to join his ragtag ranks. The captain hopes his latest move will help the struggling sport finally capture the country’s attention.
Welcome to the team Carter Rutherford (John Krasinski), America’s favorite son. A golden-boy war hero who single-handedly forced multiple German soldiers to surrender in WWI, Carter has dashing good looks and unparalleled speed on the field. This new champ is almost too good to be true, and Lexie Littleton (Zellweger) aims to prove that’s the case.
A cub journalist playing in the big leagues, Lexie is a spitfire newswoman who suspects there are holes in Carter’s war story. But while she digs, the two teammates start to become serious off-field rivals for her fickle affections.
As the new game of pro-football becomes less like the freewheeling sport he knew and loved, Dodge must both fight to keep his guys together and to get the girl of his dreams. Finding that love and football have a surprisingly similar playbook, however, he has one maneuver he will save just for the fourth quarter…
Official site: www.leatherheadsmovie.com
Release Date: April 4, 2008
Genre: Romantic Comedy
Rating: PG- 13
Studio: Universal Pictures
Cast: George Clooney, Renée Zellweger, John Krasinski, Jonathan Pryce
Directed by: George Clooney
Written by: Duncan Brantley and Rick Reilly
This seems like an interesting and unique way to both pay tribute to Ledger and finish up the work in Terry Gilliam’s latest film. Ledger’s role will be undertaken by 3 different actors, Johnny Depp, Jude Law and Colin Farrell… Not too shabby. According to /Film.com:
In the film, Ledger’s character reportedly falls through a “magical mirror” into an alternate reality, and thus the caveat of these three actors’ interpretations is further supported. But even sans that plot point, this could turn out to be a quite inspiring and tasteful send off to the young actor.
For more click HERE.
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