FILM BLOGS
FILM BLOGS
category: film
18 Nov 2009

Listen to John rant and Veronica say eww Here. Beware- F-bombs are dropped.

Comedian John Hastings and Veronica D. never seem to be able to agree on anything.
Let us know who you think won the argument at Radio@WatchMojo.com

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category: film
05 Oct 2009

Well, this is sure to bump up the viewer numbers for Spike!

“The two hour extravaganza will feature the full cast of “Twilight” with a world premiere of footage from “New Moon” as well as the reunited cast of “Battlestar Galactica” and the cast and creators of “True Blood”. ”

New York, NY, October 5, 2009 – As twilight descends upon The Greek Theatre, Spike TV presents “SCREAM 2009,” an evening where galaxies collide and genres unite for the ultimate celebration of all things sci-fi, fantasy, horror and comic book.  The 4th annual “SCREAM” is the first and only global event of its kind to honor and celebrate the hottest films, TV shows, comics, actors, creators, icons and pioneers who have influenced and shaped these genres.   “SCREAM 2009” will tape on Saturday, October 17 in Los Angeles, CA.  The two-hour extravaganza will premiere on Spike TV on Tuesday, October 27 (10:00 PM-Midnight, ET/PT).

Spike TV is proud to partner once again with Comic-Con International, the biggest comic book and pop culture convention in the world, to present real-life super hero Stan Lee with the Comic-Con Icon Award at “SCREAM 2009.”  Lee is the creator of such legendary super-heroes as Spider-Man, The Fantastic Four, X-Men, Iron Man and The Hulk.  “Spider-Man’s” Tobey Maguire will lead the tribute to one of the most beloved and influential comic book legends of all time.

“SCREAM 2009” will also honor the godfather of the modern horror film, George Romero with this year’s Scream Mastermind Award.  This award is presented to a filmmaker whose unique vision of horror, science fiction and/or fantasy is both critically-acclaimed and culturally significant.   Romero, best known for his gruesome and satirical zombie masterpiece “Night Of The Living Dead” and its sequel “Dawn Of The Dead,” as well as the cult classic, “Creepshow,” will receive the honor previously presented to cinematic luminaries Wes Craven, Quentin Tarantino and Robert Rodriguez.

“SCREAM 2009” will celebrate the year of the vampire and the phenomenal popularity of the “Twilight” saga with cast and World Premiere footage from the highly-anticipated “New Moon.”  In addition, fans will be treated to appearances from the cast and creators of “True Blood” including Alan Ball, Stephen Moyer, Anna Paquin, Alexander Skarsgård, Sam Trammell, among others.  The celebration continues with a “Battlestar Galactica” cast reunion for a farewell tribute featuring Edward James Olmos, Tricia Helfer, Grace Park, James Callis, Kate Vernon, Katee Sackhoff, Michael Trucco Tahmoh Penikett and executive producer David Eick.

“SCREAM 2009” will present awards in 16 different categories.  J.J. Abrams’ sci-fi action-adventure “Star Trek” tops the “SCREAM 2009” list with 17 nominations including the categories of The Ultimate Scream, Best Science Fiction Movie, Best Director, Best Ensemble, Holy Sh*t Scene-of-the-Year and a nod in the all-new Fight Scene-of-the-Year category.  Comic book-inspired blockbusters “X-Men Origins: Wolverine” and “Watchmen” each nabbed 13 nominations, big screen adaptation of Stephenie Meyer’s best selling novel “Twilight” received 10 nominations, while HBO’s vampire-themed television series “True Blood” garnered nine nominations.  Fans can log onto scream.spike.com until Saturday, October 17 to vote for their favorites.

Watch the initial teaser trailer:

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category: film
02 Oct 2009

This is bizarre.  I’m not sure how this will all play out for Letterman, but I’m sure he’s not going to be seen as the goofy grandfather of late night TV anymore… Read more on the story from Yahoo! News and the AP:

A CBS News employee is accused of trying to extort $2 million from David Letterman, forcing the late-night host to admit in an extraordinary monologue before millions of viewers that he had sexual relationships with female employees.

Letterman said that “this whole thing has been quite scary.” But he mixed in jokes while outlining what had happened to him, seeming to confuse a laughing audience at Thursday’s taping about whether the story was true.

The network said the person who was arrested works on the true-crime show “48 Hours” and has been suspended. A person with knowledge of the investigation said the suspect is Robert J. Halderman. The person spoke on condition of anonymity because authorities have not released the suspect’s name.

A “48 Hours” producer named Joe Halderman was part of a team nominated for an Emmy for outstanding continuing coverage of a news story in a news magazine in 2008. Two numbers listed for Halderman were disconnected, and a message left at a third number was not immediately returned Thursday.

Letterman’s “Late Show” audience was the first to hear the story, which came as a shock since the 62-year-old Letterman had married longtime girlfriend Regina Lasko in March. The couple began dating in 1986 and have a son, Harry, born in November 2003. Fatherhood and his heart surgery in 2000 had seemed to mellow Letterman, who took over as the most popular late-night comedy host this summer after NBC replaced Jay Leno with Conan O’Brien on the “Tonight” show.

Letterman sat behind his desk to outline the scheme after a monologue that targeted some frequent foils like Sarah Palin and Dick Cheney.

Three weeks ago, Letterman said, he got in his car early in the morning and found a package with a letter saying, “I know that you do some terrible, terrible things and that I can prove that you do some terrible things.” He acknowledged the letter contained proof.

He said it was terrifying “because there’s something insidious about (it). Is he standing down there? Is he hiding under the car? Am I going to get a tap on the shoulder?”

Letterman said he called his lawyer to set up a meeting with the man, who threatened to write a screenplay and a book about Letterman unless he was given money. There were two subsequent meetings, with the man given a phony $2 million check at the last one. Letterman joked it was like the giant ceremonial check given to winners of golf tournaments.

He told the audience that he had to testify before a grand jury on Thursday.

“I was worried for myself, I was worried for my family,” he said. “I felt menaced by this, and I had to tell them all of the creepy things that I had done.”

He said “the creepy stuff was that I have had sex with women who work for me on this show. My response to that is yes, I have. Would it be embarrassing if it were made public? Yes, it would, especially for the women.”

Whether they wanted to make the relationships public was up to them, he said.

“It’s been a very bizarre experience,” he said. “I felt like I needed to protect these people. I need to protect my family. I need to protect myself. Hope to protect my job.”

CBS said in a statement that “we believe his comments speak for themselves.”

Perhaps as a defense mechanism, Letterman sprinkled his remarks with jokes: “I know what you’re saying,” he said. “I’ll be darned, Dave had sex.”

He said he wouldn’t talk further about it, and recited a Top Ten list. But it wasn’t far from his mind. During banter with actor guest Woody Harrelson, Letterman said, “I’ve got my own problems.”

It was not immediately clear when the relationships took place or how long they lasted. Letterman’s “Late Show” has been on the air since 1993. Before that, “Late Night with David Letterman” aired on NBC from 1982 to 1993.

Letterman won’t be taping a show Friday. Friday night’s show was taped Thursday.

Alicia Maxey Greene, a spokeswoman for the Manhattan District Attorney’s office, declined to comment.

It’s the second set of embarrassing headlines for Letterman in four months. In June, he apologized to Palin for making a crude joke about the former Republican vice presidential candidate’s 14-year-old daughter. Although there was a small “fire Letterman” demonstration outside of his studio later, CBS stood by its late-night star.

Last fall Letterman sharply denounced Palin’s running mate, John McCain, for abruptly canceling a “Late Show” appearance. Weeks of withering jokes by Letterman eventually forced McCain to come on the show and beg for forgiveness.

Letterman was also the victim of a 2005 plot by a former painter on his Montana ranch to kidnap his nanny and son for a $5 million ransom. The former painter, Kelly A. Frank, briefly escaped from prison in 2007 before being recaptured.

Another alleged extortion scandal surrounding a public figure, Louisville men’s basketball coach Rick Pitino, similarly forced him this summer to acknowledge an affair.

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category: film
01 Oct 2009

1- George Clooney and Brad Pitt
2- Woody Harrelson and Owen Wilson
3- Matthew McConaughey and Lance Armstrong
4- Chase Crawford and Ed Westwick
5- Matt Damon and Ben Affleck
6- Adam Sandler and Rob Schneider
7- Will Smith and Tom Cruise
8- Tom Cruise and David Beckham
9- David Spade and Chris Farley
10- Jamie Foxx and Colin Farrell

According to MSN.Entertainment.com

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category: film
28 Sep 2009

The only way that this feud would have been any better is if these two would have physically fought each other.  Trump is pretty tall, but Rosie is a psycho, so I’m sure it would be an even match.  These clips are classics,  the amount of insults that Trump drops in a 1 minute interview is nothing short of astounding.  We can only hope that the future holds more bitter feuds between moronic celebrities that are as good as this one.  Take a walk down memory lane…

Part 1 -

Part 2 -

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category: film
23 Sep 2009

Well, I suppose this was semi-predictable. Based on the recent success of other toy/cartoon franchises it only makes sense that Hollywood would target the female side of this audience. Universal confirms that it has made a deal with Mattel to craete a feature film around the Barbie character.  Read more from Variety.com:

 Universal Pictures has added Barbie to its star stable.

The studio has made a deal with Mattel to build a live action film around its signature toy line. Studios are placing a premium on building films around well-known concepts. Universal brass feels it has landed the queen of globally branded toy figures.  

Laurence Mark will produce.
According to Mattel, the 50-year old Barbie has 99% worldwide brand awareness, is the number one girls property in the toy industry, the top doll property in the U.S. and the number one worldwide property in the traditional toy industry.

“Barbie is the most famous doll in history, a unique cultural icon in the world of brands,” said Universal Pictures chairman Marc Shmuger. “So many representations of Barbie frequent pop culture, but never before has she been brought to life in a motion picture. We’re grateful to Mattel for entrusting us with this extraordinary opportunity.”

Mark said the next step will be to canvas writers and decide a creative take for a family-friendly movie. Mark, who just produced “Julie & Julia” and is currently in production on the untitled James L. Brooks-directed comedy that stars Reese Witherspoon and Jack Nicholson, was one of several A-list producers who met with Mattel and U execs. Mark said he felt fortunate to get the job and said there is no shortage of plot possibilities, since Barbie has held more than 120 jobs over the years.

“Barbie may be the most popular girl in the world, and has always been a wonderfully aspirational figure, so we must do her proud,” Mark said.

The executive producers are Barbie general manager and Mattel senior veep Richard Dickson, and Rob Hudnut, who is vice president of Entertainment for Barbie. The brand managers will clearly be hands on in determining how Mattel’s star asset translates to the screen.

Asked why there had never before been a live action feature (there have been 16 direct-to-video animated titles, selling 75 million units worldwide, per Mattel), Dickson called the U deal the logical next step in expanding the brand’s reach. In the past several years, Barbie has expanded into areas like fashion shows, merchandise, and online ventures that include Twitter, Facebook, even Barbie’s own YouTube channel.

“The brand wasn’t ready for a movie,” Dickson said. “In the last 10 years, Barbie has evolved from a toy into an intellectual property. We’ve already had enormous success in the entertainment industry. Barbie has a proven track record in home entertainment, there have been live stage shows, live symphonies and other non-traditional forms of entertainment. There is a flagship store in Shanghai. There are a lot of ways we are already communicating with Barbie’s audience, and there is a richness to the brand as an entertainment property.”

While Universal and Mark will want to move ahead aggressively, Dickson said no timetable has been set for Barbie’s big screen debut.

“The utmost concern is to make sure every detail is right,” Dickson said. “Rather than a timetable, I’m more interested in making sure we deliver the right product.”

The Barbie deal was made by CAA, which previously placed at Universal and Playtone Mattel’s “Major Matt Mason,” a potential star vehicle for Tom Hanks. The most recent deal is an as-yet-to-be-launched Mattel monster toy line that will be turned into a musical by that reunites “Hairspray” producers Craig Zadan and Neil Meron with Marc Shaiman and Scott Wittman, who’ll write the original score.

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category: film
15 Jul 2009

From NYDailyNews.com:

Was Dave Chappelle out to compete with the midnight Harry Potter screenings? Or did he just crave a momentary return to the spotlight?

The comedian treated lucky fans in Portland, Oregon to a free show early Wednesday morning.

Thousands congregated in Pioneer Courthouse Square after rumors the comic would be making a midnight appearance began circulating via Facebook and Twitter.

The Internet had it right, and Chappelle showed up close to 1 a.m. and began cracking jokes, Oregon Live reported.

But maybe the wayward comic didn’t realize just how popular he still is. The small sound system he brought with him made it impossible for most of those who gathered to actually hear his routine, in which thanked the crowd for showing and poked fun at what some of them were wearing (apparently, not much).

A stage was already in place for a free lunchtime concert series. He thanked Portland police for not arresting him, and told the crowd, “This has never happened in my entire career,” garnering a huge cheer. “I’m grateful everybody came out,” he said as quoted by Oregon Live.

It was unclear why the comedian, who has been mostly out of the spotlight since he declined a rich Comedy Central offer to continue doing “Chapelle’s Show” in 2005, was in Oregon.

But despite the sound problems, fans were happy he was there.

“It’s like Woodstock,” said Keith Kunis, a 25-year-old marketing student at Portland Community College, told Oregon Live. “Davestock 2009.”

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category: film
29 Jun 2009

This is an interesting article on the state of Hollywood today. Check it out from LATimes.com:

The stars are not twinkling bright this summer.

Hollywood’s movie studios, hopeful that marquee-name actors would push their summer box-office receipts to record levels, are finding that the heavyweights aren’t winning over audiences like they used to. With all but a couple of big-budget films already opened, the summer of 2009 is shaping up to be one of the worst on record for Hollywood’s A-list talent.

The studios stocked this summer’s release schedule with so-called star vehicles, including “Land of the Lost” with Will Ferrell, “Year One” featuring Jack Black, the comedy “Imagine That” with Eddie Murphy, and Denzel Washington and John Travolta in a remake of “The Taking of Pelham 123.” But rather than igniting ticket sales, the star-studded movies have dramatically underperformed.

The brightest stars of the lucrative popcorn season — which typically accounts for about 40% of annual ticket sales — instead have turned out to be mostly movies with no-name actors — or no actors at all on screen.

So far, the summer’s most profitable film has been Warner Bros.’ surprise hit “The Hangover,” a $35-million-budget R-rated comedy about a bachelor party in Las Vegas that boasts not a single household-name actor but has reached $183 million in U.S. ticket sales since its June 5 opening and is expected to exceed $200 million. Other summer hits like J.J. Abrams’ “Star Trek” and Michael Bay’s “Transformers: Revenge of the Fallen” showcase eye-popping visual effects along with up-and-coming talent.

And, the highest-grossing summer movie so far? Walt Disney’s Co.’s “Up,” the Pixar-animated movie starring the voice of . . . Ed Asner.

The studios, which for years have banked on richly paid stars to open their movies, are now witnessing a new reality: even the most reliable actors can be trumped by what Hollywood executives like to call “high concepts” (a bachelor party gone awry), movies based on brand-name products (Hasbro’s Transformers toys), and reinvented franchises (not your father’s “Star Trek”).

“I think we’re seeing a transformation in what the value of the star system represents,” said Marc Shmuger, chairman of Universal Pictures, which will take a significant loss on Ferrell’s “Land of the Lost,” which cost $100 million to make and tens of millions more to market and distribute. There’s also an “incredible hunger among audiences for something new and different,” he said.

Indeed, that was the appeal of the buddy comedy “The Hangover.”

“Movie stars still hold an incredible value both creatively and financially,” said “Hangover” director Todd Phillips. “But it’s getting to be more about the movie and whether it delivers on the promise of its trailers and commercials.”

Internet plays a role

Moreover, in the Internet age, word of mouth about movies spreads instantly.

“There used to be a free weekend where marketing departments could open a movie and if it didn’t work, word didn’t get out until Monday, but that’s evaporated with Facebook and Twitter,” Phillips said. “The water-cooler effect is much more immediate.”

Even before a major movie hits the big screen, Twitter users and bloggers are weighing in — which can help or hinder a studio opening a movie.

“The world has changed, throwing conventional wisdom out the window,” said former studio marketing executive Peter Sealey. “The star-power opening is fading in importance and the marketing and releasing of movies is going into new territory where the masses are molding the opinion of a movie. People no longer say, ‘It’s a Tom Cruise movie, let’s go see it!’ With social networking, you know everything about a movie before it comes out.”

Doug Belgrad, production president of Sony Pictures Entertainment, whose studio is behind “Year One” and “Pelham,” said stars alone no longer can compete against the draw of franchise movies and sequels like “Transformers” and “Harry Potter” that come with a high degree of public awareness.

“Movie stars in the right films provide a certain amount of value from a marketing point of view,” he said. “But there is no star power that you can throw at a movie that gives you the kind of brand awareness you get from pre-sold titles.”

This summer’s woes come at a time when studios are already battling the climbing cost of making and marketing movies as well as a decline in DVD sales, which have long supported the economics of the film business.

A telling test case will come this week when Johnny Depp, one of the biggest movie stars in the world, appears as 1930s gangster John Dillinger in Universal’s crime saga “Public Enemies, which cost $100 million to produce.”

Given the poor performances this year of dramas targeted to adults, the prospects of the Michael Mann-directed film gaining mass audience appeal appear dim.

Read the rest here

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category: film
29 Apr 2009

This doesn’t really make any sense at all… A Reboot(ugh) might make more sense than a sequel to a movie that must look extremely dated compared to todays effects… In any case, read more from Slashfilm.com:

The sequel madness in Hollywood is starting to get out of control. Earlier this week it was revealed that Robert Rodriguez would be producing a Predator remake titled Predators, Ridley Scott was considering making a prequel to Alien, and that Mirage Studios are developing a live-action Teenage Mutant Ninja Turtles reboot. Russell Brand is remaking Drop Dead Fred. Yesterday Oliver Stone announced Wall Street 2. Last night we told you about how Joe Dante wouldn’t be directing a Gremlins 3 and how Amy Heckerling may, or may not, be making a sequel to Clueless. And now there is talk of a Who Framed Roger Rabbit sequel!

Filmmaker Robert Zemeckis told MTV that all the new “digital tools
and performance capture” has him “starting to think about” doing another Roger Rabbit. Of course, Zemeckis didn’t give any more details, just saying that “new idea” has been “buzzing around in my head.”

The original 1988 film was nominated for seven Academy Awards, four of which they won. I’m not sure how the new technology would elevate the effect of transplanting 2D animated characters into the real world, but I’m sure it has something to do with performance capture.

Many people don’t know that the first film almost spawned a direct-to-video prequel. Written by Nat Mauldin, Roger Rabbit: The Toon Platoon told the story of a young Roger Rabbit, who meets a struggling Hollywood actress named Jessica while traveling west to find his mother. But when Jessica is kidnapped and forced to make pro-Nazi Germany broadcasts, Roger and  his human friend Ritchie Davenport go to Nazi-occupied Europe to save her. The film ended with a huge Hollywood parade where Roger us reunited with his mother, and his father… big reveal… Bugs Bunny. Ugh!

Disney later tried to rework the story without Steven Spielberg. Who Discovered Roger Rabbit told the story of Roger’s “inadvertent rise to stardom on Broadway and Hollywood.” Eight time Academy Award composer Alan Menken was even hired on to write five songs for the production, with Looney Toons: Back in Action helmer Eric Goldberg attached to direct the animation. A test sequence was filmed in 1998 which combined traditional animation, computer animation and live action. Disney wasn’t happy with the results, so they also did a test with all the cartoon characters completely converted to CG. The budget quickly skyrocketed past $100 million, forcing Michael Eisner t pull the plug. It’s probably better for everyone involved that neither films earned a greenlight.

Here’s the trailer for the original movie, Who Framed Roger Rabbit?:

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category: film
02 Apr 2009

Wow, this looks epic.  The early buzz is that this movie is funnier and more outrageous than Borat.  Note that this is a redband trailer and is probably NSFW:

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