Even though Battlestar Galactica has ended it’s run, that doesn’t mean the story is over. As you already know, Caprica — the prequel to the beloved series (starring Eric Stoltz and Esai Morales) — will premiere on DVD and Digital Download April 21st as a limited-edition uncut and unrated version before the series’ broadcast premiere on SyFy in 2010.
Here is the new trailer:
Caprica, the highly anticipated prequel to “Battlestar Galactica,” will enjoy its world premiere exclusively on DVD on April 21, 2009 from Universal Studios Home Entertainment. In a groundbreaking move sure to delight fans of the long-running television phenomenon, the feature-length prequel will be available on DVD as a limited-edition uncut and unrated version before the series’ broadcast premiere on the
SCI FI Channel in 2010. Caprica is executive produced by Ronald D. Moore and David Eick (“Battlestar Galactica”) and Remi Aubuchon (“24”). Exclusive bonus features that take viewers behind the scenes of the creation of Caprica make this DVD a landmark event for any fan of “Battlestar Galactica.” The film will also be available at selected online destinations for digital download transactions.
As “Battlestar Galactica” wraps its gripping final season on SCI FI on March 20, 2009, Caprica begins a brand new epic saga that continues the franchise’s commitment to thought-provoking storytelling and extraordinary characters. Set over 50 years before the events of “Battlestar Galactica,” Caprica is a world at the peak of its power, grappling with new science and technologies and the issues they create. The series will star Golden Globe nominee Eric Stoltz (Mask, Pulp Fiction), Esai Morales (“Jericho,” “NYPD Blue”), Paula Malcomson (“Deadwood” “ER”) and Golden Globe® nominee Polly Walker (“Cane,” “Rome”) in a story laced with passion, intrigue and family conflict.
“We are thrilled to take the groundbreaking step of offering the world-premiere of the Caprica feature-length extended pilot episode on DVD prior to the new series’ television debut,” said Hilary Hoffman, Senior Vice President, Brand and Digital Marketing for Universal Studios Home Entertainment. “This innovative distribution model will serve to satisfy ‘Battlestar Galactica’ fans’ appetites for a new content while building excitement for the franchise’s next great adventure.”
“Ever since fans first caught wind of the ‘Battlestar Galactica’ prequel Caprica, they have been eagerly following its development,” said Mark Stern, Executive Vice President, Original Programming for SCI FI & Co-Head Original Content, Universal Cable Productions. “We wanted to give them a chance to see the pilot in its original form and experience the prequel to the BSG story while that series’ finale was still ringing in their ears. It also affords the creative team an unprecedented chance to get viewers feedback before production on the Caprica series begins this summer.”
“If ‘Battlestar Galactica’ offered us a way to shatter the conventions of space opera, Caprica will be a show which will challenge the conventions of science fiction storytelling as a whole,” said Ronald D. Moore, Executive Producer/Writer.
“Part sweeping soap, part meditation on the dangerous moral ramifications of artificial intelligence, this is a truly unique opportunity to continue telling stories which will be as daring and shocking as the best of ‘Galactica’ — and yet will be altogether different from ‘Galactica,’” said David Eick, Executive Producer.
Trailer:
BONUS FEATURES:
· Feature Commentary with Director Jeffrey Reiner and Executive Producer/Writer Ronald D. Moore and Executive Producer David Eick
· Deleted Scenes
· Video Blogs
· What the Frak is Caprica?
· The Director’s Process
· The V Club
· The Birth of a Cylon
SYNOPSIS
Set 50 years before Battlestar Galactica, Caprica follows two rival families and their patriarchs – Daniel Graystone (Eric Stoltz) and Joseph Adama (Esai Morales) – as they compete and thrive in the vibrant world of the 12 Colonies, a society recognizably close to our own. Enmeshed in the burgeoning technology of artificial intelligence and robotics that will eventually lead to the creation of the Cylons, the two houses go toe-to-toe blending action with corporate conspiracy and sexual politics.
This is an age old question that has been asked many times, but its always fun to see which movies get chosen as the worst of all time. The gang over at Videogum have a battle raging for the worst of all time, while DivineCaroline created a list of 10 (mostly) different, but equally as terrible flicks.
I’m not really surprised by this news… From Yahoo! News via Reuters:
ROME (Reuters) - The Italian Catholic Church has refused to let a new movie based on a Dan Brown novel be filmed in churches in Rome after the author’s “The Da Vinci Code” novel and film outraged the Vatican.
“Angels and Demons,” starring Tom Hanks and Ewan McGregor, is the prequel to Brown’s best-selling novel. The book is set mostly in Rome and the Vatican.Filming began this month at some of the capital’s most famous sights including Piazza Navona and Piazza del Popolo, but entry was denied to the churches of Santa Maria del Popolo and Santa Maria della Vittoria.
The two famous Rome churches are among around 700 places of worship that are owned by the Italian interior ministry and run by Italy’s Church.
Archdiocese spokesman Rev. Marco Fibbi said the interior ministry had received a request from the film’s producers to use the churches. The interior ministry asked the archdiocese for its opinion and it was negative.
“I don’t think they would have asked us directly because they knew what the answer would be,” Fibbi told Reuters.
“The Da Vinci Code” outraged the Vatican and some Catholics because of its storyline that Jesus married Mary Magdalene and had children, creating a royal blood line that Church officials kept secret for centuries.
Christians are taught that Jesus never married, was crucified and rose from the dead.
Santa Maria del Popolo is home of two masterpieces by Caravaggio — “The Crucifixion of St. Peter” and “The Conversion of St. Paul.”
Fibbi said permission to film in Italian churches is granted in exceptional circumstances and usually if the production is compatible with religious sentiment or if it is a documentary about religion or art.
For better or worse here are 20 sequels that were never made, or at least, have yet to be made… from Rotten Tomatoes:
Total Recall: 20 Sequels We’re Still Waiting For…
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Heres an interesting article from TheOneRing.net on Guillermo Del Toro and his plans for the upcoming Hobbit movies:
How did this whole process get started?
GDT: I met Peter (Jackson) a long time ago when we were planning on doing ‘Halo’ together, I really love how they have that setup in New Zealand, I call it ‘Hollywood the way God intended it’. New Zealand has all the technical advantages when doing a big movie and you are shooting it in paradise, both in terms of artistic freedom and commitment.
When ‘Halo’ didn’t happen, Peter and I stayed in contact on a regular basis, and last winter I started getting inklings that ‘The Hobbit’ may come this way, mainly from the studio. The first thing I said was that I would only be interested if Peter was involved and the (New Line Lawsuit) problem gets resolved. When that issue was resolved I got a call from Peter and we chatted, and it started from then, it was my Christmas gift!
Fans are all abuzz about ‘The Second Film’, can you tell some of your plans for it?
GDT: You know, I traveled to New Zealand just a little while ago, and one of the main reasons for going was to sit down and talk about the second film. ‘The Hobbit’, the book, is really one self-contained film, so for the second movie we sat down and worked it out. When we did this we got really excited because this second film is not a ‘tag on’, it’s not ‘filler’, it’s an integral part of telling the story of those 50 years of history lost in the narrative. There will be certain things that we will see from the first movie but from a different point of view, but it will feel like a volume, in the 5 volumes of the entire story. It will not feel like a bridge, I’ve been hearing it called ‘a bridge film’, it’s not, it’s an integral chapter of the story, and I think we’re all on the same page.
You will be moving down to New Zealand for 4 years, is that right?
GDT: Approximately, my whole family, but the first stages of design and R&D will be done with me going back and fourth from LA and New Zealand because there are a lot of things I need to put to bed before I finally move to New Zealand. I’m going much sooner than my relatives would like!
We will officially be doing a lot of prep on ‘The Hobbit’ this summer, there is so much to do, its amazing. Just the reforestation of The Shire, re planting all those trees and plants will take months, and we’re going to be as exact as possible.
Films like ‘Pan’s Labyrinth’ used a few studio sets to simulate outdoors, will you be doing the same for ‘The Hobbit’ or will you be making use of New Zealand’s wilderness like Peter did?
GDT: I think green screen photography is exactly like CGI, it is a tool, I don’t think it should be overused. Things like ‘Pan’s Labyrinth’ and ‘The Devil’s Backbone’ are incredibly dependent on location, we shot on location for more than half the time. Those locations can be enhanced by technology however, both digital and physical. What I would like to avoid is the recreation of the natural environments in CG, I don’t like doing that. The movie is essentially a journey movie, I think you need to use locations as much as possible.
You’ll be using WETA Digital for the effects?
GDT: Yes, the essential elements for keeping continuity are on track, in the last few weeks I’ve been chatting with a ton of people via email, phone, and in person from the previous films. People like Andy Serkis, Sir Ian McKellen, Howard Shore, John Howe, Gino Acevedo, Richard Taylor next week I’m meeting Alan Lee. I’m doing this to ensure that whatever we do we keep continuity with the other films, yes it’s a world that is slightly more golden at the beginning, a very innocent environment.
What I’m trying to do is keep the elements in place but allow you to feel a progression from ‘The Hobbit’ until ‘The Return of the King’. I believe ‘The Hobbit’ is a very crucial volume in The Lord of the Rings, it is a narrative that starts out very much in an innocent and golden way. It is permeated from England going through World War One, so there is a loss of innocence and a darker tone as the book and the film progresses. We’ll be doing that in the first film, taking you from a time of more purity to a darker reality throughout the film, but I think that is in the spirit of the book. All these guys, Alan Lee, John Howe, these guys are integral for us to map out that progress in the two movies, and allow you to completely blend in to the universe that is already in place. But this will be a progression, it should not feel at the start of the film that this is the same time (as the beginning of ‘Fellowship’). 50 years in Shire time, is not the same as 50 years in human time, if you think about how our world has changed in only 7 or 8 years, you can think of it as decades of turmoil, those 50 years in Middle-earth.
Do you have any roles cast?
GDT: Well, I had the most charming meeting with Sir Ian, and all bureaucracy pending, he’s on board, as is Andy Serkis. We will continue giving you progress reports as the occur. It is our intention that we will not lose any of the key elements.
What will differ from your films versus Peter’s?
The only thing I will be pushing for more in these films that the other three are full animatronics and animatronic creatures enhanced with CGI, as opposed to CGI creatures themselves. We really want to take the state-of-the-art animatronics and take a leap ten years into the future with the technology we will develop for the creatures in the movie. We have every intention to do for animatronics and special effects what the other films did for virtual reality.
Another thing people will notice, at the beginning of the film will be the palette, that will be slightly different, the world will be the same but it will be a more ‘golden’ world, a more wide-eyed world. But by no means will we depart from the canon, we will take the three previous films as canon. When I become part of a world that I love, such as this, I really come with a lot of enthusiasm and hard work, and we know we are recreating and creating a world that is part of the mythos of millions of people and we will approach it as passionately and respectfully as it needs to be taken.
Check it out HERE at the official site.
From Norman Bates to Hannibal Lector, we have seen some awesome baddies - I mean, Batman (Christian Bale) even played the part in American Psycho - how can you top those performances?
It’s a big statement. Got all the respect in the world for Michael Caine, but perhaps if he wasn’t in the film, I’d take his words to heart a bit more. But then again, that picture is enough to turn any gay-cowboy haters into scared, little girls.
“He’s fantastic. He’s gone in a different direction than Jack (Nicholson) … Jack was like a really scary old, nasty old uncle with a funny face. Heath is like the most murderous psychopath you’ve ever seen on the screen.”
Check out the teaser. Does look pretty freakin’ awesome.
Can’t get enough of the Jack Bauer Power Hour? Make sure you check out the new animated prequel series that premieres today online. The episodes are 2 minutes in length and feature a bunch of classic 24 characters including Nina Myers! Check out the trailer:
And be sure to visit the Official Day Zero site for the first installment.
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