When high-powered book editor Margaret (SANDRA BULLOCK) faces deportation to her native Canada, the quick-thinking exec declares that she’s actually engaged to her unsuspecting put-upon assistant Andrew (RYAN REYNOLDS), who she’s tormented for years. He agrees to participate in the charade, but with a few conditions of his own. The unlikely couple heads to Alaska to meet his quirky family (MARY STEENBURGEN, CRAIG T. NELSON, BETTY WHITE) and the always-in-control city girl finds herself in one comedic fish-out-of-water situation after another. With an impromptu wedding in the works and an immigration official on their tails, Margaret and Andrew reluctantly vow to stick to the plan despite the precarious consequences.
Check out the Trailer:
Superbad was a massive hit and Director Greg Mottola’s first success and now he’s got a new movie called Adventureland as a follow up. Based on this first trailer it looks like it’ll be pretty good… plus its got Bill Hader in it! Check it out:
This is a Romantic Comedy thats sure to please fans of the genre, and its even being released on Valentines Day… aww.
Synopsis:
Ryan Reynolds stars as Will Hayes, a 30-something Manhattan dad in the midst of a divorce when his 10-year-old daughter, Maya (Abigail Breslin), starts to question him about his life before marriage. Maya wants to know absolutely everything about how her parents met and fell in love.
Will’s story begins in 1992, as a young, starry-eyed aspiring politician who moves to New York from Wisconsin in order to work on the presidential campaign. For Maya, Will relives his past as an idealistic young man learning the ins and outs of big city politics, and recounts the history of his romantic relationships with three very different women.
Will hopelessly attempts a gentler version of his story for his daughter and changes the names so Maya has to guess who is the woman her father finally married. Is her mother Will’s college sweetheart, the dependable girl next door Emily (Elizabeth Banks)? Is she his longtime best friend and confidante, the apolitical April (Isla Fisher)? Or is she the free-spirited but ambitious journalist Summer (Rachel Weisz)?
As Maya puts together the pieces of her dad’s romantic puzzle, she begins to understand that love is not so simple or easy. And as Will tells her his tale, Maya helps him to understand that it’s definitely never too late to go back…and maybe even possible to find a happy ending.
Official Site: http://www.definitelymaybemovie.com

This is a pretty cool idea, you can download an audio commentary for the new movie, The Nines, and then put it on your iPod and listen to it during a theatre presentation of the movie. The commentary is done by actor Ryan Reynolds and director, John August. To find it click on the link below:
http://johnaugust.com/archives
SYNOPSIS:
John August, the acclaimed screenwriter of GO, BIG FISH, CHARLIE AND THE CHOCOLATE FACTORY and THE CORPSE BRIDE, makes his directorial debut with THE NINES, an intricately constructed intriguing blur of reality, virtual reality and metaphysical fantasy. The film unfolds in three parts, featuring the same actors in different (and in some ways overlapping) incarnations.
Ryan Reynolds stars with Melissa McCarthy, Hope Davis and Elle Fanning as:
Gary
(Reynolds) - a TV actor who finds himself under house arrest after one too many benders. He is tended to by an impossibly chipper publicist (McCarthy) and a sexually tempting new mother next door (Davis).
Gavin
(Reynolds), a show-runner who is the subject of a reality TV show about the thorny process of creating a network series (not dissimilar to August himself). His show stars his (and August’s) best friend, the actress Melissa McCarthy, much to the chagrin of the network’s development executive (Davis). He also happens to own the house where Gary is imprisoned (John August’s actual home).
Gabriel
(Reynolds) - a successful video game designer who runs into car trouble with his wife (McCarthy) and daughter (Fanning) in the woods and then into even greater trouble when he seeks help from an attractive hitchhiker (Davis).
Together, the three stories form a single narrative that explores the relationships between author and character, actor and role, creator and creation. Alternately funny and unsettling, The Nines is like a riddle where the answer may just lead to another question.

This movie looks messed up… but then again, I love messed up movies! Check out the synopsis and trailer below. The movie opens in NY and LA on 8/31.
As a companion piece to the film, Newmarket Films’ has =developed a cross media game consisting of nine puzzles. The answers form a trail to the grand prize. Mirroring the tone of the film, The Nines game blends the virtual and the real. Here are links to the first three puzzle clues:
http://www.ugo.com/a/the-nines/
http://www.comingsoon.net/news/movienews.php?id=23106
http://www.movieweb.com/news/04/21904.php
SYNOPSIS:
John August, the acclaimed screenwriter of GO, BIG FISH, CHARLIE AND THE CHOCOLATE FACTORY and THE CORPSE BRIDE, makes his directorial debut with THE NINES, an intricately constructed intriguing blur of reality, virtual reality and metaphysical fantasy. The film unfolds in three parts, featuring the same actors in different (and in some ways overlapping) incarnations.
Ryan Reynolds stars with Melissa McCarthy, Hope Davis and Elle Fanning as:
Gary
(Reynolds) - a TV actor who finds himself under house arrest after one too many benders. He is tended to by an impossibly chipper publicist (McCarthy) and a sexually tempting new mother next door (Davis).
Gavin
(Reynolds), a show-runner who is the subject of a reality TV show about the thorny process of creating a network series (not dissimilar to August himself). His show stars his (and August’s) best friend, the actress Melissa McCarthy, much to the chagrin of the network’s development executive (Davis). He also happens to own the house where Gary is imprisoned (John August’s actual home).
Gabriel
(Reynolds) - a successful video game designer who runs into car trouble with his wife (McCarthy) and daughter (Fanning) in the woods and then into even greater trouble when he seeks help from an attractive hitchhiker (Davis).
Together, the three stories form a single narrative that explores the relationships between author and character, actor and role, creator and creation. Alternately funny and unsettling, The Nines is like a riddle where the answer may just lead to another question.