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category: music
22 Jun 2009
related tags: Charts | Church Boy |

Although it may have shocked some people at the time, Ray Charles’ fascination with country and western music was anything but an overnight development. As a child in Florida, he’d listened to the Grand Ole Opry’s radio broadcasts through the Southern skies. Thus his 1962 gold-certified album Modern Sounds in Country & Western Music and its encore Modern Sounds in Country & Western Music, Volume 2 represented a lifelong dream - and may have transformed country music along with it.

The two albums, which featured the hits “I Can’t Stop Loving You,” “Take These Chains From My Heart” and “You Don’t Know Me,” will be reissued together in an expanded reissue titled Modern Sounds in Country & Western Music, Volumes 1 & 2 by Concord Records on June 2, 2009. New liner notes by musicologist Bill Dahl are included alongside original notes by Rick Ward and Charles’ longtime recording supervisor Sid Feller.

The reissue release is part of Concord’s ambitious Ray Charles reissue program that launched this year. A 17-time Grammy winner, Rock ‘n’ Roll Hall of Fame inductee and #10 in Rolling Stone’s Greatest Artists of All Time, Charles has sold more than 10 million CDs in the SoundScan era alone.

“Since joining ABC’s roster in late 1959 after permanently altering the rhythm & blues landscape that sired soul, Charles had been contemplating an LP of country chestnuts for years,” Dahl writes. “So to him it wasn’t a radical concept. What was earth shattering was the way he redefined each song. When Ray unleashed the roaring horn section from his recently formed big band, those country evergreens swung like never before.”

In preparation for the album, Charles asked Feller to bring him the biggest country and western hits from the preceding 20 years. According to Ward, “Completely confused and wondering what possible use Ray could make of such material, Sid began collecting songs. The more he thought about Ray’s idea, the more excited Sid became. And by the time the sessions rolled around, he was nearly the most enthusiastic person on the studio.”

Initially skeptical at first themselves, ABC Records gave Charles artistic freedom and was pleased when Modern Sounds in Country & Western Music became the label’s first million-selling album. A lot of this was due to the success of its first single, “I Can’t Stop Loving You.” Never intended to be a single, the Don Gibson-penned track was buried deep in the album sequence.

Yet when actor Tab Hunter covered the song, Feller quickly edited Charles’ rendition to single length and got it into the marketplace in enough time to bury the Hunter version. It topped the pop and R&B hit parades and won a Grammy for Best R&B Recording. “You Don’t Know Me” also proved a massive R&B and pop seller.

A few months later, Ray and his team convened at Capitol Studios in New York to plan Volume 2, Ray mining another dozen country standards. Within the month, the album was at retail and proceeded to reach #2 on the pop album chart. Hank Williams’ “Take These Chains From My Heart,” which kicked off the “ballad side” of Volume 2, became another huge Charles hit in mid-1963.

Having made countless new country converts by giving these 24 songs a soul-steeped urban dimension, Charles continued to dip into the country and western songbook. He covered Johnny Cash’s hit “Busted” to Grammy-winning acclaim in 1963, and his remakes of Buck Owens’ “Cryin’ Time” and “Together Again” hit during the mid-’60s. “Then again,” Dahl writes, “Ray’s unique vocal interpretations inevitably made any song from any genre entirely his own.”

Buy it!

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category: music
26 Mar 2009
related tags: alt country | Blues | Charts | Church Boy |

Check out the widget:
http://widget.nabbr.com/oh_happy_day.html

EMI Music/Vector Recordings is set to release the highly anticipated recording Oh Happy Day: An All-Star Music Celebration on March 31. The album features performances by 3 Doors Down, Al Green, Patty Griffin, Heather Headley, Jon Bon Jovi, Jonny Lang, Queen Latifah, Joss Stone with Buick Audra and many more (see below for full track listing). For the project, these world-renowned musicians collaborated with Gospel artists and several of today’s top Gospel Choirs to record renditions of some of the most loved and recognizable inspirational songs. It’s been said you don’t just hear gospel music you feel it. It’s woven through the fabric of the American spirit and history and its influence can be felt and heard around the world today and in the background of many of today’s most talented artists and musicians.

The album’s concept resulted from a close partnership between EMI Gospel and Vector Recordings and was produced by Ken Levitan, Bill Hearn, Jack Rovner, Ken Pennell, Drew & Shannon, Johnny K, Sanchez Harley, Obie O’Brien, Keith Thomas, Tommy Sims, Cedric Thompson, Simon Climie, Michael McDonald, Joss Stone and Buick Audra. Of the project, Bill Hearn, CEO of EMI Christian Music Group comments, “We wanted to create an album that honored the legacy of gospel music—it’s the backbone of the American spirit—but also create unique artist pairings that fans could find no where else.” Vector’s Ken Levitan adds, “Gospel music has always been not only spiritually and musically uplifting but also a great American art form. With this project we’ve taken artists who have been successful in other genres and combined them with this great art form to create new powerful music.”

While recording the record at Ocean Way Studio in Nashville, Jonny Lang notes, “(Gospel music) is really all I’ve been listening to for the last few years…it’s my favorite form of music…at least for now…” Lang goes on to say, “it’s such an honor to record with the legendary Fisk Jubilee Singers, their very first take on the song just blew me away. They’re such pros…quite an honor…” Additionally, Heather Headley comments, “It’s not everyday that you get the opportunity to revisit a classic song like “People Get Ready,” record it with a great producer like Keith Thomas, and sing alongside a legend such as Rev. Al Green. It really was a pleasure, and I had a great time doing it.”

Track Listing:

1. Jonny Lang & the Fisk Jubilee Singers “I Believe”

2. 3 Doors Down & the Soul Children of Chicago “Presence of the Lord”

3. Robert Randolph & The Clark Sisters “Higher Ground”

4. Jon Bon Jovi & the Washington Youth Choir “Keep the Faith”

5. Al Green & Heather Headley “People Get Ready”

6. Mavis Staples & Patty Griffin “Waiting for My Child To Come Home”

7. Michael McDonald & the West Angeles COGIC Mass Choir “Storm Before The Calm”

8. Angelique Kidjo “Redemption Song”

9. Aaron Neville & the Mt. Zion Mass Choir “A Change is Gonna Come”

10. Queen Latifah & Jubilation “Oh Happy Day”

11. Joss Stone & Buick Audra “This Little Light Of Mine”

Available Exclusively At Walmart:
http://www.walmart.com/catalog/product.do?product_id=10928864

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category: music
09 Mar 2009

Commencing an extensive Ray Charles reissue program for 2009, Concord Records will release a 21-song anthology of hits titled Ray Charles — Genius: The Ultimate Ray Charles Collection. The volume, slated for a street date of April 7, 2009, presents Charles’ most influential recordings for the Atlantic and ABC-Paramount labels including 1955’s “I Got a Woman” plus “Busted,” “Georgia on My Mind,” “Hit the Road Jack” and “I Can’t Stop Loving You,” concluding with his signature 1972 rendition of “America the Beautiful.” All are digitally remastered from the original tapes.

Late last year, Concord Music Group announced it had entered into an exclusive arrangement with the Ray Charles Foundation to develop the artist’s post-1960 catalog, which contains his classic work for the ABC-Paramount and Tangerine labels. In addition to planning a series of CD reissues, Concord will make the catalog available digitally for the first time ever.

Ray Charles — Genius: The Ultimate Ray Charles Collection chronicles the high points in Charles’ catalog. As noted jazz writer Don Heckman writes in his liner notes, “The first feeling that comes to mind after even a short glance at the titles included here is a sense of wonder. The diversity of the material is impressive in its own right — blues, of course, transformed gospel songs, country tunes, an American Songbook standard, a Beatles classic and a climactic American anthem. But more than that, it’s what he does with all these variegated numbers. Good singers can do great interpretations. Great singers like Charles possess the material in a way that makes a song their own, while remaining true to the essence of each.”

Ten of the tracks on this collection made it to #1 on the R&B charts and three songs hit #1 on the pop chart. “That may sound like nothing more than numbers,” says Heckman, “but it represents an extraordinary string of successes in which Charles released a Top 10 R&B single in almost every year between 1954-67, and a Top 10 pop single almost every year between 1959-67.”

The album contains 21 of Charles’ biggest hits, each within its own unique history and meaning. “Hit the Road Jack,” penned by Percy Mayfield, a #1 pop hit and a 1961 Grammy winner for Charles, opens the collection. Also included are “What I’d Say (Part 1),” ranked #10 in Rolling Stone’s 500 Greatest Songs of All Time; the classic “Busted”; “I Can’t Stop Loving You” from the album Modern Sounds in Country and Western Music, which reached #1 on R&B and pop charts; the Bobby Sharp composition “Unchain My Heart”; Charles’ signature rendition of Hoagy Carmichael’s “Georgia on My Mind, another #1 pop hit; “I Got a Woman” which was Charles’ first #1 R&B hit and was later sampled by Kanye West; “You Are My Sunshine,” the Jimmie Davis standard that Charles brought to #1 R&B; a soulful edition of Hank Williams’ “Take These Chains From My Heart”; the offbeat “Hide Nor Hair”; Ashford & Simpson’s “Let’s Go Get Stoned,” a #1 R&B hit by Charles; “You Don’t Know Me,” earlier a hit for Jerry Vale, which charted #2 pop; “Hallelujah I Love Her So,” originally a gospel hymn; “Crying Time,” a Buck Owens song which Charles brought to #6 on the pop charts; the funky “I’m a Fool for You,” which charted #1 R&B; “One Mint Julep,” Charles’ version of The Clovers’ hit with a big band arrangement by Quincy Jones; “Here We Go Again,” sung as a duet with Betty Carter; “Yesterday,” the Lennon/McCartney classic, in which Charles, according to Heckman, “embraces the song’s deep inner heart”; and finally his 1972 signature recording of “America the Beautiful,” the perfect ending and relevant once again.

Genius: The Ultimate Ray Charles Collection will be packaged in a handsome embossed digipack and presented with a 24-page collectors’ book of rare photos and Heckman’s notes.

“Genius Loves Company was Ray Charles’ highest selling record ever,”
said Valerie Ervin, President of the Ray Charles Foundation. “In addition to the artistic quality of the music, the release was matched by Concord’s skill in finding new ways to market in the increasingly challenging environment.
Their incomparable ability to innovate will also be seen in the upcoming
releases.”

Concord will release several other Ray Charles reissues this year including Modern Sounds in Country & Western Music, Volumes 1 & 2, The Genius Hits the Road, A Message to the People and Genius + Soul = Jazz & More.

Ray Charles - Genius: The Ultimate Collection Video Streams:

“Georgia On My Mind”

http://www.youtube.com/watch?v=7q5hD9cRQ9k

“Hit The Road Jack”

http://www.youtube.com/watch?v=Q8Tiz6INF7I

Preferred Retail Link:
http://www.amazon.com/Genius-Ultimate-Ray-Charles-Collection/dp/B001QAZAPS/?tag=concordreco0c-20

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category: music
28 Apr 2008
by: cyrus
Chauncey Black, formerly of Blackstreet

“Church Boy is who I am and where I come from. It’s my solid foundation that keeps me standing. God has blessed me with a talent and has given me so much. Yes, I make mistakes, we all do, just believe in him and stay focused.” - Chauncey Black

Listen to Chauncey’s new single Everyday Is Your Birthday, off his first Flipmode release Church Boy.

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