Alberta Cross are poised for the release of their much-anticipated full-length debut, Broken Side of Time, set for release September 22 on ATO Records. The album arrives on the heels of their acclaimed EP The Thief & the Heartbreaker, which earned the band U.K. touring slots with Oasis, The Shins and Bat For Lashes, and widespread critical praise, including PopMatters, which declared, “The seven-song EP is one of the best you’ll be lucky enough to pick up, resembling a full album’s quality but leaving one wanting a lot more.” Alberta Cross is coming off noteworthy performances at Bonnaroo, Coachella and SXSW and is slated to perform at Glastonbury, Lollapalooza, Austin City Limits and more. Details on upcoming tour dates will be announced soon.
Founded by guitarist/vocalist Petter Ericson Stakee and bassist Terry Wolfers, Alberta Cross took shape when the two began jamming together in London’s east end. Stakee, from London by way of Sweden, and Wolfers, a Brit himself, moved to New York City in 2008 in pursuit of renewed creative energy and new challenges. Broken Side of Time is born of the struggles and setbacks the band faced along the way. The album serves as Alberta Cross’ official introduction to the U.S. As Stakee explains, “It’s kind of a desperation album, a darker album; it’s definitely angrier. We’ve been in a crazy place during the whole album and you can hear that.”
Led by Stakee and Wolfers, Alberta Cross is rounded out by guitarist Sam Kearney, drummer Austin Beede and keyboardist Alec Higgins. Broken Side of Time was recorded in Austin, TX and produced by Mike McCarthy (Spoon, Dead Confederate, Heartless Bastards). John O’Mahony (Depeche Mode, Coldplay, Kasabian) mixed the album at Electric Lady in New York City.
Check out the band at Coachella:
ALBERTA CROSS Tour Dates:
June 28 Glastonbury Glastonbury
July 13 Higher Ground Burlington, VT
July 17 The Stone Pony Asbury Park, NJ
August 9 Lollapalooza Chicago, IL
October 3 Austin City Limits Austin, TX
Many things can happen when two talented musicians/songwriters team up in a musical collaboration. Sure, history has given us the awesome supergroups of Blind Faith, The Firm, Temple Of The Dog, Hellyeah and the like, but now, something truly unique has come out way with the pairing of talented veterans Danny Kortchmar and Charlie Karp.
Together, Danny Kortchmar (The Eagles, Bob Dylan, Billy Joel, Neil Young…) and Charlie Karp (Buddy Miles, Meatloaf, Aerosmith, David Johansen…) have created an incredibly fresh and organic sound that fuses Progressive Rock, Blues and R&B, that can only be inherently defined as one thing… Cool.
Straight off of their new album New Century Blues, their first single “Same Damn Thing” is a smooth jam with wailing modulated vocals, reverse guitar licks and a back beat that could be conveniently found at your local neighborhood dance club. Such a sound can excite and satisfy the most picky of sonic pallets.
You can download a free mp3 of “Same Damn Thing” and listen to more of Slo Leak at: http://www.sloleak.com/
Cool.
Say it ain’t so Neil? From the AFP:
BERLIN (AFP) — Canadian folk rock legend Neil Young said he has lost all hope that music can change the world, as he presented a documentary about his 2006 anti-war concert tour at the Berlin film festival on Friday.
“I know that the time when music could change the world is past. I really doubt that a single song can make a difference. It is a reality,” Young told reporters.
“I don’t think the tour had any impact on voters.”
But the silver-haired frontman of the sixties supergroup Crosby, Stills, Nash and Young nonetheless dealt US President George W. Bush a stinging, back-handed insult and said his own “naive” urge to make people think remains intact.
“What is wrong with George Bush? That would take a really long time. Let’s talk about what is right with him, it is a much shorter answer.
“He is a very good physical specimen. He shows that a man his age can stay in physical condition,” said Young, who is 62.
He made no distinction between the Vietnam War, during which CSNY first earned their reputation as political activists, and the US-led war in Iraq which their tour condemned with songs like “Let’s Impeach The President”.
“It is all the same war and it hurts everybody. It’s a wrong way to solve a problem,” he said, adding that Americans were deluded if they thought they were liberating Iraq.
“We just don’t have to go and spread democracy around the world.”
Young said he deliberately included interviews with unimpressed critics and soldiers who served in Iraq and Afghanistan in the documentary of his band’s “Freedom of Speech” reunion tour, which earned them both praise and death threats.
“Otherwise I thought it would just feel like a bunch of old hippies. And nobody would care. I would not, I would have left,” said Young, who directs his films under the pseudonym Bernard Shakey.
“I wanted to serve the people who came to see the shows, to serve the soldiers who fought in the war and to serve the people who started the war. It sounds naive but everybody has to make a decision in their hearts about how they want to live.”
“CSNY: Deja Vu”, which borrows its title from an album the band released in 1970, had its world premier at the Sundance Film Festival in January.
It is screening in the Berlinale Special section of the Berlin festival, which has this year made music a headline act by bringing The Rolling Stones, Madonna and rock poetess Patti Smith to town.
Martin Scorcese’s Stones concert film “Shine A Light” opened the festival with a bang on Thursday night and the Oscar-winning director said he wanted to pay tribute to the vintage rockers as they had inspired his work from “Mean Streets” through to “The Departed.”
Coming days will see screenings of Madonna’s directorial debut, “Filth and Wisdom,” movies about Sudanese hip-hop artists and Argentinian tango and “Om Shanti Om”, the Bollywood song and dance blockbuster.
Patti Smith will attend a screening of a documentary on her career and play a sold-out concert on the festival sidelines.
Young, who managed the quirky feat of singing every line of dialogue in his 2003 film “Greendale” said music was a “primal subject” for the movies.
But the genre has changed little in his time, he added.
“I have not seen tremendous growth, any evolution really. From the Sinatra years, The Who’s ‘The Kids Are Alright’ … directors have always made films about music culture. There have been some great ones though.”
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