Just a few snippets of the song called “Man of Misery”, but it sounds pretty good. Not sure about Liam’s clothing line yet though…
Apparently Liam is passionate about music, AND fashion… who knew? The company is called Pretty Green, after a song by The Jam, with nothing to do about environmentalism. In any case, hear about it from the man himself:
Mysteriousness abounds:
Here we go once again… the season of “Best Of” lists! Here at SoundMojo I’ll throw my Top 20 Albums of 2008 into the never-ending pile of opinionated lists that inevitably feature a variation of the same 50 bands or so… Without further ado, here are the 20 albums that I enjoyed the most this year:
20. Metallica - Death Magnetic
It’s nowhere close to Metallica’s best album, but its Metallica back doing what they do best with long intro’s, long guitar solo’s and songs that are actually interesting! Finally.
19. Santogold -Santogold
Nothing this year sounded as varied as this album. Santogold had a bit of everything on this album and somehow it all sounds fantastic. An indie/new wave/rock/electro hybrid that does not disappoint. Check out LES Artistes.
18. Frightened Rabbit - The Midnight Organ Fight
Anthemic Scottish indie rock. Sad songs that make you want to raise your fists in the air. “The Modern Leper” is one of the best songs of the year.
17. Coldplay - Viva La Vida
I’ve had my complaints about Coldplay in the past… I was a fan of the first 2 albums, but things then took a turn for the worse… Chris Martin was in the spotlight as much as Bono and their music took a nose dive. Enter producer Brian Eno and whammy! the band has its creativity and inspiration back. Viva La Vida expanded their sound and still left it accessible to the masses… a great album from start to finish.
16. Raconteurs - Consolers of the Lonely
Alright I’ll say it. Jack White is my hero. Consolers of the Lonely is a solid album of rock, hard rock, folk rock and garage rock. The band is somewhat of a side project from the White Stripes, but based on this album the Raconteurs are a force to be reckoned with and Jack could probably front another two bands.
15. Wolf Parade - At Mount Zoomer
While not as immediately grabbing as their 2005 debut, Wold Parade have crafted another classic album in At Mount Zoomer. The album does seem more mature, but everything you loved about Apologies to the Queen Mary is still there, its just a little harder to dig into. Once you do dig in, everything makes sense.
14. Constantines - Kensington Heights
This album seems to explode with the opening song of “Hard Feelings” and then steadily slow down with each progressing tune, but rest assured this is some of the steadiest songwriting the band has recorded. This band deserves to be much bigger than they are. “Trans Canada” is one of my favorite songs of the year.
13. Shearwater - Rook
Shearwater is made up of parts of Okervil River and Kingfisher, but based on this debut album the bands vision is unified and the creativity and potential seems huge. Dramatic and theatric vocals stand out, but the layered sound is equally as impressive.
12. The Verve - Forth
Another comeback album, this one was probably my most anticipated, and while not as spectacular is their older albums, Forth is pretty damn enjoyable. There was the obligatory single, “Love is Noise” which tried to recapture the mainstream glory of “Bittersweet Symphony”, and while the song was actually pretty good, it seemed a bit out of place on the album. More interesting were the psychadelic, spacey, guitar epics.
11. Blitzen Trapper - Furr
Americana music with great story telling. This album sounds like it was recorded in the mid 70’s and tracks like “Furr” and “God and Suicide” are some of my favorite songs of the year. Sometimes it doesn’t get much better than acoustic guitars and tall tales.
10. Vampire Weekend - Vampire Weekend
This was one of those albums that was buzzed about so much that I thought for sure I would hate it. Afro-pop infused indie rock from preppy college kids? Ya right… It turned out to be one of the most enjoyable albums of the year and probably one of the most unique debut albums in a while. Quirky songs and memorable vocals mixed with strong melodies, I guess the hype has to be right sometimes?
9. The War on Drugs - Wagonwheel Blues
For me this band came out of nowhere to be one of my most consistent listens all year long. With vocals that are a dead ringer for Dylan circa 1965 and melodies that will embed themselves in your head for days, I found this band incredibly interesting. With equal parts folk rock shuffle and shoegaze shimmer, I can’t wait to hear what these guys do next. Check out the song “Taking the Farm“.
8. Oasis - Dig Out Your Soul
Comeback album #4 on this list… Ok, Oasis never really went away, but it seems that every album since “(Whats the Story) Morning Glory” has been a comeback album, and Dig Out Your Soul finally delivers. Gone are the acoustic guitars and blatant rips of classic tunes, but back is the intesity and confidence of a band that knows how to deliver rock and roll. Oasis won’t convert any new fans with this album, but they’ve realised that and its now one of their greatest strengths. Its also nice to hear Noel writing consistently and also have the rest of the band contribute quality tunes.
7. The Stills - Oceans Will Rise
The Stills have been up and down over the last few years. Their debut was acclaimed, the follow up was different and thus confused fans, so they had decisions to make for album 3. They either regress back to their initial post-punk sound, continue in the rootsy sound of their second album, or combine everything and hope for the best. I’ve enjoyed everything the band has released and thankfully they chose option 3. With Oceans Will Rise they’ve crafted an expansive album of sounds and styles that flows together very nicely. Check out “Hands on Fire” and “Everything I Build” for an idea of the bands current sound.
6. Bon Iver - For Emma, Forever Ago
There is an interesting back story to this album that includes a secluded cabin in the woods, but I’ll let you look that up yourself. Whats important is that this is one of the prettiest albums of the year with falsetto vocals that should knock you flat. This is beautiful, melodic, acoustic-based music that you won’t soon forget. Listen to “Skinny Love” for an idea.
5. MGMT - Oracular Spectacular
Another album that rode the hype wave for a while before I finally listened to it. Another pleasant surprise. This one was hipster art students creating psychedelic electro indie-pop. Ya right again… wrong, awesome. The songs on this album are like an explosion of colour in your brain. Endlessly catchy, but at the same time interesting and layered this band is definitely on to something. “Time to Pretend” might be the song of the year.
4. Cut/Copy - In Ghost Colours
In Ghost Colours is an album that I slowly came to love over the year. One by one I would hear different songs on the album until I finally realized that all of them were fantastic. This is the best combination of Indie rock and Electro-dance music I’ve ever heard and fans of either genre would have no trouble getting into the album. Its like the band takes all the good parts of both genres and builds an exciting, creative and multi-dimensional style of their own. Check out “Feel the Love” or “So Haunted”.
3. The Black Keys - Attack and Release
God I love the Black Keys. Dirty, minimalist blues-rock from 2 dudes from Akron, Ohio that will make you wish you played guitar. Attack and Release sees the band fleshing out their sound with more texture and space as opposed to the blast of distortion that dominated their early music. Adding Gnarls Barkley mastermind Danger Mouse as the producer was a genius move and his hazy production elevates the Black Keys into new territory. A band that seemed so restricted by its 2 instrument delivery now seems like it has unlimited potential. Check out the song “I Got Mine“.
2. Plants and Animals - Parc Avenue
Is it possible for Montreal to continue producing such great bands at such a consistent rate? I was skeptical at first, but after one listen I was sold. Parc Avenue is a shambolic indie masterpiece of an album that takes cues from classic rock and progressive rock, folk and roots. Where this band goes next? I have no idea… but I’m looking forward to it. Check out songs like “Faerie Dance” and”Feedback in the Field” for an idea of the range on this album.
1. Fleet Foxes - Fleet Foxes
What is there to say about this band. If you haven’t listened to them then you have no idea what your in for. The song “White Winter Hymnal” stopped me in my tracks. Upon hearing it I had to immediately had to stop everything and find out more about this band. With nothing but an earlier ‘08 EP, the band is brand new. The music sounds like its from another era and the vocal harmonies are so rich and beautiful it will blow your mind. The band is drawing from a multitude of Folk and Rock influences, but its takes a fresh and direct vocal approach that fills the album with such grandeur that its hard to believe this is a debut album. Like I said, what is there really to say… listen to “White Winter Hymnal” and you should get it.
Thats it! On to 2009. Some notable bands releasing albums next year include:
- Midlake
- Arctic Monkeys
- Superdrag
- Phoenix
- Muse
- Grizzly Bear
- Beirut
- The Strokes
Maybes: Arcade Fire, Wilco, Daft Punk???
Here’s a great list and I only disagree with one entry( the Gallagher brothers because they’ve both actually taken beatings over the years!)
Check the list out at Spike.com
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This is a weird video:
Here’s a cool look at the lads from Oasis at Abbey Road studios in London while they recorded their newest album, “Dig Out Your Soul” :
Here’s a great look at the new Oasis album from Luke Turner of The Quietus. I agree with him on almost every point. Its great to hear Oasis back sounding fresh.
1. “Bag It Up”
This opening salvo isn’t a cover of the Geri Halliwell song or a “No Diggity”-esque chorus, but something to do with tea: the first two lines of this, Oasis’ seventh album, contain a reference to pouring yourself a cup of lady grey, which all seems a little la-di-da for a band you’d imagine are more at home with a brew of PG that you could stand a spoon up in. Anyway, it’s a solid start that’ll do nothing to scare the Oasis faithful, sturdy blasts of chest-out noise, the bros G in duet on vocals, and ringing Noel Gallagher guitar lines that end in a suitably bombastic crescendo. So far, so expected.2. “The Turning”
The first signs of a more adventurous Oasis appear here. The track opens with a drumbeat and a melody that, I jest not, isn’t a million miles from a speeded up take on Radiohead’s “Everything In Its Right Place.” Perhaps the normally crackers Ryan Adams had a bit of point about the album sounding like Kid A? Let’s not get ahead of ourselves, though. Liam’s vocal begins and a whopping chorus drops in — so it’s not the eureka moment when God’s white beard appears on the computer screens of the Large Hadron Collider boffins, but in Oasis terms it’s something of a progression. There’s a fair amount of religious imagery present in the lyrics, the rapture and angels all putting in an appearance before the track fades into the sound of sea and sirens.3. “Waiting for the Rapture”
Lyrically again, this has Big Themes, though they’re doing that dangerous thing of the God/Love equation that Jason Pierce always gets in a muddle about. It’s a pugnacious stomper, with a cracking chorus to boot, this time with Noel Gallagher at the vocal helm. Liam’s voice might sound a lot better than his Brit Awards live bellow, (the five AM jogging sessions on Primrose Hill clearly getting some quality pre-rush hour London air into his lungs), but getting his older brother to do these higher parts on this one was certainly a wise move. Again, it does seem to represent a little more thought and breadth than Oasis’ recent albums seem to have had — this all makes for a rather promising start.4. “The Shock of the Lightning”
Dive bomber sounds give way to a sharp rat-at-ating from whoever fills the drum stool on these recordings (it seems unclear), before one of those battles between blugeoning guitars and Liam Gallagher’s voice that marked Oasis’ 1990s arrival begins. It’s the sound of the band going back to where they began, bombastic and aspirational — “love is a time machine / up on the silver screen” — with a Beatles tic thrown in for good measure. There’s a good keyboard breakdown before a fill you’d never have got from Tony McCarroll or Alan White, and we’re clobbered with the full force of the track’s core yet again. This sounds like it could have fitted in on Definitely Maybe or (What’s the Story) Morning Glory?, an assured, ballsy stodge for men in raincoats to swagger down the road to. Actually, it is quite a lot like “Rock & Roll Star.”5. “I’m Outta Time”
And then, oh dear, a ballad. By Liam. Dedicated to John Lennon. This has been produced to within an inch of its life, the musical equivalent at that shockingly airbrushed NME cover of last week. Not really much to say more than that, except that it keeps trying to become “A Day in the Life” and the overall effect is that of Jeff Lynne’s re-imagining of the Beatles. Oasis can do two ballads — the sort for blokes to hug to after a they’ve had a skinful, and the sort that said blokes use to apologise to their missus the morning after, and this fits neither. It’s telling that this is the track that Liam penned in tribute to his hero John Lennon, a man more than capable of mawkish platitudes and balladeering insincerity.6. “(Get Off Your) High Horse Lady”
Yet another shocking title (what’s it about, those who criticised Noel’s Best Groups Ever list for its lack of female artists?) for a track that sees Oasis strip things down to a rattle and a-handclap and slamming draws, a flick of bluesy guitar and Noel singing through effects… so he sounds like Liam. You get the impression Oasis probably think that this is their take on Tom Waits. It isn’t, of course, it sounds like Phil Collins’ “That’s All,” which is an interesting way to innovate, for sure.7. “Falling Down”
Fucking hell, this one starts off sounding like Ride. Part of the great shame of Andy Bell spoiling late period Ride by turning them into an audition tape for Oasis was the instant demotion of the natural guitarist to bass as soon as he joined the ranks of the Mancs. He’s not credited as a songwriter here, but still, it’s even got some proper shoegazing lyrics, “catch the wind that breaks the butterflies,” things like that. Noel calls this “krautpop” and says it’s the song that he’s been wanting to write for years. Why didn’t you then, Parker? It displays Oasis’ canny knack for hiding a good chorus amidst the skittish drums and strings, far better used here than the usual Oasis trick of bunging them on as an “emotive” afterthought.8. “To Be Where There’s Life”
Gem Archer (formerly of Heavy Stereo) channels George Harrison’s patchouli ghoul via the sitar for this slow-burner. An Oasis track without guitars? What’s the world coming to! The result is actually a lot less hackneyed than you might expect, creating the kind of burbling under-the-surface epic atmospherics that The Verve used to manage before they, er, tried to be Oasis. To be where there’s life? For once, it can be found in a new Oasis album.9. “Ain’t Got Nothin’”
Another humdinger of a title with that double negative, and a fairly standard Who-influenced rocker penned by Liam. There’s some harmonica and furious bluster here and there, while the melody takes a bit of a strange wander. There’s also the problem that rhyming “fuse” and “lose,” “groove” and “prove” always provokes a cringe when delivered in Liam’s taut whine.10. “The Nature of Reality”
Oasis get philosophical, though the music hardly aspires to intellectual heights. It starts with shaken maracas before settling into a bit of a blues plod, one-two drums and a vaguely glammy riff as Liam muses that “the nature of reality / is pure subjective fantasy.” Someone on an Oasis messageboard isn’t happy about this, though; “the one thing great about Oasis is that they aren’t poetic saps like Bono or Chris Martin, and keep things simple and write songs that people can easily relate to,” thunders one Notorious L4E. Could this be a problem for Oasis in Dig Out Your Soul? While their attempts to push their envelope might tickle the ears of a few post 1997 defectors, one imagines they’re unlikely to win any new converts. Moreover, does the distinct lack of beery rockers or lighter wavers on this album risk alienating the more dunderheaded elements of their fanbase?11. “Soldier On”
Don’t be put off by the fact that The Coral found this on a hard drive at a studio used by Oasis, and none of the band could remember writing it until Andy Bell found it on his iPod. “Soldier On” is a sinuous and languid affair with melodica and multi-tracked echoing vocals, a pleasing counterpoint to the bluster of “Bag It Up” and a neat finish to a surprisingly good album.I had expected, if truth be told, that getting through Dig Out Your Soul enough times to review it might have required the perseverance of a porridge taster. There’s no shock of the new, of course, more a shock that Oasis have managed to climb up the wall at the end of their cul-de-sac to see what interesting pastures might lie beyond. Even if you can’t help but wish they’d done this ten years ago after Morning Glory, credit where credit is due: by and large, Dig Out Your Soul, is a refreshing listen, both the sound of Oasis rediscovering some of the spirit that made them great, and attempting — finally — something different.
~ Luke Turner
This is pretty crazy footage of Noel getting hit from behind during the Oasis performance at the V Festival in Toronto, Canada. Its too bad Noel didn’t even have a chance to react, otherwise I’m sure an epic brawl would have ensued. Notice Liam with his arm cocked trying to get some shots in. Props to the band for coming back 15 minutes later and finishing the show. Fast forward to 1:25 for the action to begin:
more on the attack from The National Post:
A man ran onstage during Oasis’s show at Virgin Festival in Toronto last night and crashed into guitarist Noel Gallagher, knocking him hard to the ground.
The man, who entered from backstage as the band played (What’s The Story) Morning Glory, then appeared to clash with other Gallagher brother, Liam, before security rushed in and escorted him off stage in front of the shocked festival crowd.
The security spokesperson for Virgin, called Nathan, said unidentified man evaded both Virgin and Oasis security personnel in his dash onstage. No reason was given for the rush, but Nathan pointed out that both brothers were fine, and Noel was joking backstage after the incident about how exciting things always happens when Oasis plays.
After a 15 minute pause, the band returned to the stage and finished the show, which included crowd-pleasers such as Don’t Look Back in Anger, Wonderwall, new single The Shock Of The Lightning and the closer, a cover of The Beatles’ I Am The Walrus.
The group Cookin Soul has taken it upon themselves to up the ante in this so called “Feud”. They’ve mashed up a bunch of Oasis and Jay-z songs into a new album called Ojayzis. Some are so/so, some are pretty cool… The “ignorant shit” and “girl in the dirty shirt” mix called “Ignorant Shirt” is particularly cool, although I’m not sure what happened to Liam’s vocals?
Check them out:
Justify It Out:
Quick Gangster:
Ignorant Shirt:
99 Supersonic Problems:
Dec. 4th Masterplan:
Wonderback:
PLAY
