Throughout his storied career, Chris Cornell has clearly never been an artist that is content sitting in one creative comfort spot for too long. The versatile rocker who became a household name from his success in Soundgarden and Audioslave has teamed up with perhaps the most celebrated producer of this era: Timbaland. Scream is the result of their genre-defying sessions.
Cornell and Timbaland are set to kick off a string of eight live shows on October 17th to support the project. Scream will be performed in its entirety to mimic the experience of listening to the LP from start to finish.
The new album features infectious tracks like “Ground Zero,” “Part of Me,” and the exhilarating title track and lead single, “Scream.” Fans can expect a unique blend of hip-hop and rock from this release that will no doubt venture into new territory for both Cornell and Timbaland.
Tour Dates:
10/17 Denver, CO - Ogden Theater
10/18 Salt Lake City, UT - The Avalon Theater
10/19 Tempe, AZ - Marquee
10/24 Las Vegas, NV - The Joint
10/25 Los Angeles, CA - House of Blues
10/26 San Diego, CA - House of Blues
10/31 San Francisco, CA - The Fillmore
11/02 Seattle, WA - Showbox
Bio:
Chris Cornell is a rock icon who thrives on contradictions. An innovator who resists genre labels, he was nonetheless the chief architect of the 90s grunge movement. Frequently ranked as one of the best voices in music history, he has successfully maintained his own unique identity over more than two decades as a multi-Grammy award winning musician and universally acclaimed singer, songwriter and lyricist.
Seattle trailblazers Soundgarden were a law to themselves, edgy, dark and deeply individual. Their savage soundscapes, coupled with Cornell’s incisive lyrics and predatory roar, seduced audiences hungry for musical depth and complexity while leading trends in street fashion and iconic design. In 1989, they became the first Seattle band to sign to a major label. Their sound continued to change and evolve over the course of five pioneering albums.
Celebrated side project Temple of the Dog had already shown Cornell’s more soulful side and introduced future Pearl Jam frontman Eddie Vedder to the world. Later, Cornell shocked the business once again with richly melodic, critically acclaimed solo album “Euphoria Morning”, swiftly recognized for its alienation and despair. And as the millennium turned, he joined with three other musical pioneers from rap-rock’s Rage Against The Machine to create Audioslave - a multi-platinum supergroup which lived to deny its detractors, producing three top-selling albums, touring the world and becoming the first American band to bring rock to Castro’s Cuba.
Since then, Cornell has redefined his sound and vision to encompass new music, new collaborations and new activities. Having contributed solo songs to movie soundtracks from “Great Expectations” to “Mission Impossible II”, he became the first American male singer to write the theme song for the James Bond franchise in its most successful film to date, “Casino Royale.” His bold and bluesy reinvention of Michael Jackson dance classic “Billie Jean” courted controversy and attracted imitators. And his triumphant 2007 world tour brought together songs from every stage of his career, reinterpreting them for new audiences and blending their original fire with the shock of the new.
Outside music, Cornell fronted fashion designer John Varvatos’s Spring 2006 collection and settled in Paris with his family, where he has helped revive a historic restaurant, the stylish Black Calavados.
Only the most confident would claim to predict exactly what comes next for Chris Cornell. Always eclectic, always experimental, his new collaboration with super-producer Timbaland – who calls their album “the best work I’ve done in my career” – will take him into fresh territory, establishing a new sound and marking the creation of a masterpiece that breaks all musical boundaries. Only one thing’s for sure – Chris Cornell will continue to break rules, make history and challenge everyone’s expectations.
I am just like you, I am Nobody Famous
Some people spend their entire life trying to be something they are not. Others were put here for a reason, but do not know what that reason is. But when a person finds themselves and knows their purpose, a beautiful thing takes place. Through the centuries, billions of people have graced the face of the earth, lived an everyday life and were just regular people or Nobody Famous. When you take certain traits from each of these individuals you get the blueprint of genius. When the blueprint is constructed into a tangible form, genius is conceived. In December of 1982, genius was conceived. This blueprint was constructed by God and placed on this earth to change the face of an element, which contrary to scientific belief is essential to our very existence. This element is music. The musical expressions that Nobody Famous composes are essential to the future of hip-hop, the future of music and the future of life. Some people may not understand the movement, but that is understandable, this is God’s plan. Some people may even attempt it diffuse the movement, but it will stand, because it is God’s plan. So ask yourself, will your stand for or against the movement? Will you try to stop God’s plan or will you help facilitate it? This is the movement of music; I am doing this for people just like you. I am just like you…
Check out Nobody Famous on FlowTV:
http://flow.tv/shows/14/episodes/385?season_id=32
http://flow.tv/shows/14/episodes/386?season_id=32
In many ways, he’s one of the music industry’s best kept ‘secrets’ although staunch music fans from London and Los Angeles to Tokyo and New York City will readily attest to Leon Ware’s artistry as not merely a legendary songwriter and producer but as a brilliant artist and performer in his own right. A music maker for four decades, Leon’s amazing list of impressive credits includes classic recordings by Quincy Jones, Minnie Riperton, Michael Jackson, Maxwell, Average White Band and of course, the late Marvin Gaye (whose Ware-written and produced “I Want You” LP remains a seminal Motown album). Leon readily confesses that even with a catalog of nine of his own albums released since 1972, “I’ve never really been out there as a fully-fledged recording artist and performer because of my love for producing and writing. Now,” he emphasizes, “it’s time to do that…”
The impetus, Leon says, is MOON RIDE, his debut album for Stax/Concord Records. The twelve songs that comprise the Ware-produced collection of new material easily validates Leon’s stance as a true master of musical sensuality. In the tradition of his previous recordings and work with others, songs on the new album like “Just Take Your Time,” “Hold Tonight” and “Smoovin’” are love-filled odes, a heady mix fantasy and reality.
While MOON RIDE demands to be heard in its entirety as a potent, cohesive piece of work, key cuts include the hypnotically evocative “Loceans,” a song Detroit-born Leon says was designed “to create atmosphere, allure…a reminder of an unforgettable personal moment you may have had with another. It’s an expression of my romantic lust for life.” Likewise, the acoustic-flavored “From Inside” has all the trappings of a modern-day slow jam classic: “90% of my work has multiple meanings, especially where sex is concerned. I love double entendre! Someone’s inner self, inside, is what matters to me – it’s not the surface impression that really makes a person who they are. As a child, I was actually blind for two years and when my vision returned, I realized it was about looking inside people, not at them,” Leon smiles, clear that the song’s title alone begs another, more obvious interpretation much as his classic “Inside My Love” did back in the ‘70s when recorded by the late Minnie Riperton.
The album’s title cut has the kind of insistent groove that has endeared Leon to soul music lovers worldwide, particularly in the UK where he has created the kind of near-legendary status usually accorded superstars like Gaye and Donny Hathaway, two of the hundreds of artists who have made Leon’s song catalog rich with time-honored compositions like “If I Ever Lose This Heaven,” “Body Heat” and “I Wanna Be Where You Are.” The equally funky “Blue Dress” segues into the late night yearning of “Hold Tonight” while further into the album, “Smoovin’” is as contemporary in spirit as tunes like “Sumthin’ Sumthin,’” a Ware 1996 collaboration that became neo-soul singer Maxwell’s virtual signature theme.
The Gaye-shaded “I Never Loved So Much,” penned with John Barnes (known for his work with Michael Jackson among others) was, Leon notes, “written ALMOST twenty years ago. Oddly enough, it’s a song I never showed anyone. There are about six or seven songs in my life as a writer that I didn’t want to record. This was one of them.” Then, “Urban Nights” (at one time considered as a possible title track for the album) is a descriptive, percussive delight while “To Serve You (All My Love)” was inspired during a visit to South Africa is an homage to old school R&B: “I love going back musically while mixing the elements so there’s a new attitude in there too,” Leon says, noting that “A Whisper Away” is a cut that “exhibits my jazz feel. For many years, people have asked ‘is he an R&B artist or a jazz artist?’ I think of myself as a servant, here to serve the people with my music.”
His first major label album in over two decades, MOON RIDE represents the culmination of a very active period in Leon’s career. Since 1995, Leon has been writing, producing and recording as an independent artist with four albums to his credit – the R&B-flavored “Taste The Love”; the 2001 set “Candelight” recorded with jazz keyboardist Don Grusin; the passion-charged “Love’s Drippin,’” a 2003 release; and 2004’s Brazilian-themed “A Kiss In The Sand.” During the last decade, he’s been a frequent visitor to the UK where his sold-out concerts at London’s Jazz Café before an adoring audience (singing along with almost his entire repertoire) are legendary; U.S. performances at New York’s Blue Note and the Temple Bar in Los Angeles have only served to heighten interest in Leon’s musical catalog as an artist, writer and producer.
As a native of Detroit, Leon found himself writing for artists such as Martha & the Vandellas and Isley Brothers at Motown in the mid-’60s. A collaboration with Ike & Tina Turner for a United Artists album led to Leon’s own first solo venture for that label in 1972, recorded while he was continuing to write hits for other Motown acts such as The Jackson Five and a solo Michael Jackson, for whom he penned the hit single, “I Wanna Be Where You Are.” In 1974, Leon contributed the now-standard “If I Ever Lose This Heaven” as well as the title track to Quincy Jones’ breakthrough album “Body Heat”; a year later, he was celebrating more success with “Rolling Down A Mountainside,” a hit for R&B group The Main Ingredient and with Minnie Riperton via “Inside My Love.”
Leon began working on two projects at Motown in 1976, including a solo project; when label founder Berry Gordy Jr. heard the song “I Want You,” he wanted it recorded by Marvin Gaye. Subsequently, Leon produced Gaye’s entire album of the same name, achieving tremendous success on the pop and R&B charts. His own “Musical Massage” LP was issued by Motown later that year and regarded as a groundbreaking album, considered ahead of its time, it was reissued in 2003 to much critical acclaim.
Continuing to have his songs covered by plethora of artists (including Bobby Womack, Melissa Manchester, Sergio Mendes, Nancy Wilson, Isaac Hayes among others), Leon had his third LP release (“Inside Is Love”) in 1979 before completing two album for Elektra, “Rockin’ You Eternally” (whose title track is a bonafide soul classic in Europe and beyond) and a 1982 self-titled set.
Throughout the late ‘80s and ‘90s, Leon’s music was discovered by a whole new generation of young artists leading to creative samplings of his songs with the likes of Ice Cube, Tupac and A Tribe Called Quest; and other samples by Montell Jordan, Aaliyah, EPMD and Prince and more recently Mary J. Blige, Jay-Z, John Legend & Jennifer Lopez, among others. After recording his last four albums (all also released overseas by popular demand), Leon began meeting with executives at Stax/Concord in 2006 with an initial idea for doing a compilation of his work but after hearing some of the new material he was writing, the project evolved into MOON RIDE spurred on specifically by the song “Loceans.”
Buoyed by the label’s enthusiasm for his new work, Leon took time to complete the album, noting, “It’s never taken me so long to work on a record – two years in all! But I definitely consider it one of my best efforts ever and I’m looking forward to as many people as possible hearing it.” For the many music lovers who have followed his career over the years, Leon is more than grateful: “It’s staggering when I stop and think about how my music has touched people from all walks of life and that the sentiments in my songs are considered timeless. I think of my music as a house that has a home everywhere.”
Certainly, with MOON RIDE – an album that reflects his joy for love and life – Leon Ware can be justifiably proud that, this time out, his special brand of smooth sensuality and provocative passion will be reaching audiences both old and new: “I really feel as if this is the first time in my entire career when a record I’ve made has the potential to be fully exposed and promoted by a record company. I look forward to this album realizing what the others haven’t. I’m excited, I feel good and I’m ready to really get out there as a recording artist and performer in a whole new way.
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“Pete Rock is one of the most legendary producers of all time” - Kanye West
“Pete Rock, he was the man; to me he still is the man” – Timbaland
“Among the most in-demand producers in hip-hop” – XXL Magazine
New York, NY - The name Pete Rock is synonymous with hip-hop history. He has earned platinum plaques from working with hip-hop’s elite, and is credited as being the driving force behind the explosion of soul influenced hip-hop production. Recently, his critically acclaimed album “NY’s Finest”, which boasted a line-up of all star MCs, has taken the hip-hop world by storm.
Now, as a special bonus, Pete is set to unleash the instrumental versions of his newly crowned classic album. Stripped of the MC’s, Pete Rock purists will get the chance to hear what they’ve been yearning for – the raw musical masterpieces that have made him such a legend. The collection also includes two exclusive beats not heard on the vocal version of the album. “NY’s Finest” Instrumentals exemplifies the definition of classic hip-hop music, so sit back and take a listen to Pete Rock at his best:
PLAY
