The 30 GREATEST Legend of Zelda Songs

The 30 Greatest Legend of Zelda Songs

Welcome to MojoPlays, and today we’re showcasing the 30 greatest songs from “The Legend of Zelda,” from the delightful chiptunes of old to the orchestral behemoths of the modern era. Be on the lookout for spoilers ahead.

Kass’ Theme

“The Legend of Zelda: Breath of the Wild” (2017)

The wandering Rito bard, Kass, became a fan favorite character from “Breath of the Wild.” Hearing his accordion while traveling not only signaled we’d learn a bit of history about this version of Hyrule, but it was also simply delightful to listen to. The slow bounce made it easy to sway to, and the instrument of choice was unique even in the grand catalog of “Zelda” music. Kass’ Theme is undeniably romantic. But what made it even more special was hearing the complete version in the DLC, which beautifully blended in the franchise’s main theme. The strong link of music and character made his absence in “Tears of the Kingdom” one of its biggest mysteries.

Palace Theme

“Zelda II: The Adventure of Link” (1988)

Other than the finale of the Great Palace, players hear this track whenever they enter one of “Zelda II’s” dungeons. And it is far and away the best song in the game. Somehow, composer Akito Nakatsuka managed to create something that was perilous, exciting, and iconically catchy all in one tune. It’s an impressive display for an 8-bit game, and certainly one of the most memorable from the NES era. Many may have heard it first in “Super Smash Bros. Melee’s” beloved Temple stage. That helped it to stand the test of time, since “Zelda II” is one of the lesser-loved entries. Still, this original version is truly remarkable.

Ghirahim’s Theme

“The Legend of Zelda: Skyward Sword” (2011)

With his flamboyant demeanor, flair for theatrics, and surprisingly vicious dialogue, Ghirahim is one of the stronger aspects of “Skyward Sword.” And the music that accompanies the villain is just as captivating as he is. The combination of simple but deep piano notes with the organ delivering the main melody is both sinister and pompous. You can tell it’s meant to invoke danger, but it’s just so much fun that you can’t help but be enraptured by it. It also gets a great transformation during the several times you fight him, picking up the tempo with snappy percussion and sharp, intoxicating strings.

Hyrule Field Theme

“The Legend of Zelda: Twilight Princess” (2006)

The overworld theme is important to get right in any “Zelda” game. And “Twilight Princess” absolutely gets it right. It captures the thrill of adventure perfectly, with an appropriate ensemble of horn, woodwind, and string instruments. Even the percussion, a simulated snare drum, is a quick-paced march that carries us forward. More importantly, the theme brings in motifs you can hear during other parts of the game, becoming an encapsulation of wonderful melodies. It never gets old no matter how many times you hear it. That’s a good thing, considering how much time you’ll spend in Hyrule Field, its grandest representation at the time.

Colgera’s Theme

“The Legend of Zelda: Tears of the Kingdom” (2023)

There are multiple reasons why the Wind Temple became the favorite “Tears of the Kingdom” dungeon for many. One of them is the fight against Colgera, an easy yet exciting clash in the sky that was paired with an extraordinary piece of music. The boss’ theme simulates a blusterous blizzard, relying on high pitch, quick paced piano notes and strings. It’s a flawless match to the frozen environment and features plenty of distinct melodies that would be enough to earn it praise. However, the moment in which it channels the Dragon Roost Island theme from “Wind Waker,” which itself was repurposed for Rito Village in “Breath of the Wild,” is amazing. As any “Zelda” fan will tell you, it sent literal shivers down our spines.

Ballad of the Goddess

“The Legend of Zelda: Skyward Sword” (2011)

The signature track of “Skyward Sword” stands out for a few reasons. Accompanying most marketing material for the game, the main version was a tremendous showcase for the first time the series used a full live orchestra. There’s also the fact that it includes the notes of Zelda’s Lullaby backwards, a wonderful musical Easter Egg that Nintendo has utilized several times across the franchise. Then, there’s how it’s used within the story. It’s stripped down to Hylian vocals and a harp, performed by Zelda several times, making the Easter Egg far more meaningful than a secret for fans to discover. Whichever version you listen to, Ballad of the Goddess is a stunning theme for the origins of “Zelda.”

Forest Temple Theme

“The Legend of Zelda: Ocarina of Time” (1998)

Of all the dungeons the series has to offer, the Forest Temple of “Ocarina of Time” is one of the most distinct. It always felt like it had its own personality, like it really was a historic, lived-in space that had just been reclaimed by nature. The music plays a huge role in defining it. The shaky percussion that almost sounds like wooden wind chimes, the ambient tones underneath, and the strange notes that comprise the main melody; we love everything about this piece. It’s undeniably eerie. But at the same time, it’s hauntingly beautiful. It serves to pull you in, but also threatens with menace, making it one of many stand-outs in Koji Kondo’s masterpiece of a soundtrack.

Ballad of the Wind Fish

“The Legend of Zelda: Link’s Awakening” (1993)

Many musical themes of “Zelda” succeed as summations for each game’s ideas and story concepts. The Ballad of the Wind Fish from “Link’s Awakening” nails this. It’s the song you’ll hear Marin singing in Mabe Village, short and charming yet with just enough sadness to give you pause. It’s also the song Link plays in order to wake the Wind Fish from the dream that has created the game’s setting and characters. Whether you prefer the Game Boy’s simple version, or the orchestral reimagining from the 2019 remake, one thing’s for certain: it’s a flawless connection between game and soundtrack, projecting feelings of loss and moving on.

Mipha’s Theme

“The Legend of Zelda: Breath of the Wild” (2017)

Each Champion from “Breath of the Wild” feels unique in their own way. In the case of Mipha, her scenes make you feel pity and sorrow that someone so kind was struck down so viciously. Naturally, her musical theme only serves to reinforce those feelings. Consisting mostly of piano, partnered with some light strings and a woodwind, it’s impossible to listen to it without your heart aching. It fits so well with a character meant to put you at ease, but also makes you feel the absolute loss of someone so loved by her people. Whenever we hear it, it’s hard to keep from getting choked up.

Demon Dragon

“The Legend of Zelda: Tears of the Kingdom” (2023)

The final confrontation with Ganondorf in “Tears of the Kingdom” was glorious. And while the first two phases also come with incredible music, we’re choosing to shine a light on his third, when he transforms into the Demon Dragon. Even though it’s the easiest phase, everything about this sequence is momentous, including the tremendous arrangement of music. It blends pieces from different sections of the game, such as Link’s first dive during the intro, the game’s main theme, and even Ganon’s classic theme. Paired with the cinematic quality of fighting a demonic dragon high above Hyrule, with the Light Dragon there to assist you, the music is as strong of an emotional climax as we could’ve hoped for.

Tal Tal Mountain Range

“The Legend of Zelda: Link’s Awakening” (1993)

It’s incredible to think that this theme came from a Game Boy. The Tal Tal Mountain Range only becomes accessible towards the end of the game, housing the last two dungeons and the Wind Fish’s egg. As the game ramps up for the finale, so too does the area’s music. It features the beginning notes of the franchise’s main theme before blasting off into something entirely new. Upbeat and heroic, it carries you towards some of the toughest challenges in “Link’s Awakening.” And even though they are challenging, exiting a dungeon to hear this helps you never lose hope. It almost sounds like a blend of “Zelda” and “Mega Man,” which is undeniably cool.

Realm Overworld

“The Legend of Zelda: Spirit Tracks” (2009)

Even some of the less popular entries in the series still have fantastic music. “Spirit Tracks” has Link play a pan flute for several mechanics. As such, the instrument is heavily featured in its overworld track. Pun intended. It’s accompanied by string instruments like a guitar and violins, as well as an infectiously catchy beat that syncs up perfectly with your train’s chugga chuggas. It will make you want to spend all of your time in the overworld, riding across train tracks and tooting along with your whistle; fate of the world be damned! Much like other overworld themes, it’s joyful, adventurous, and perfectly captures the essence of “Zelda.”

Fairy Fountain Theme

Various

We love the songs that make us want to set out on a quest. But the series also has music that makes us feel calm and serene. The “Fairy Fountain Theme” is such a song and it’s appeared in most entries in the series. The main notes descend as they’re plucked softly on a harp, sometimes piano, making the player feel immediately at ease. This feeling pairs with where you hear it; as soon as we hear those opening strums, we know we’ve discovered a worthwhile secret. Whether it be a regular fairy fountain or one that houses a Great Fairy, the theme embodies tranquility. It also plays on the File Select Screen. Sometimes it’s nice to take a moment before jumping back in.

Fi’s Farewell

“The Legend of Zelda: Skyward Sword” (2011)

Fi may not be the most popular companion in the series, but she does have a tremendous theme. Played on a woodwind instrument, it fits with the mysterious figure who draws Link to his destiny. However, it’s during Fi’s final moments when the theme becomes something much more. Beginning with soft piano notes, “Fi’s Farewell” transforms her theme into something much more somber, yet somehow filled with hope. As Fi plans to sleep forever, the spirit takes a moment to thank Link. Through their journey, she has unexpectedly come to feel happiness for the first and only time. As the strings swell, our eyes well up. It’s one of the sadder moments in the franchise and the score fits it beautifully.

Main Theme

“The Legend of Zelda: Breath of the Wild” (2017)

“Breath of the Wild’s” clifftop moment is one of the best video game openings in recent memory. It’s so great that it’s mentioned every time any other game does something similar. Looking out over a Hyrule much more vast than any previous incarnation, it instantly made us want to explore. The opening piano notes as Link exits the cave will always give us chills, but the full theme is much longer. It brings together a plethora of instruments, from swooping strings to blaring horns. Few main themes capture the scope of a game the way this theme does. It would feel at home in any of Studio Ghibli’s masterpieces, which is the highest compliment we can pay it.

Molgera’s Theme

“The Legend of Zelda: The Wind Waker” (2003)

Molgera isn’t the best boss fight in “The Wind Waker.” But its theme is some of the best boss music in the entire series. Quick percussion that includes clanging bells sets you up for a fight. A flute joins soon after, piping out high pitched notes for a ridiculously catchy hook that’ll be stuck in your head long after. As Link fights the massive beast, strings and horns join to bring a bit more peril. They never overshadow the central instrument, though. Molgera’s theme strikes a perfect balance between fun and intimidating, making the encounter much more memorable than it would’ve been otherwise. And it will make you want to hold off your attack just so you can keep listening.

Song of Healing

“The Legend of Zelda: Majora’s Mask” (2000)

“Majora’s Mask” takes a more personal look at the effects of its villain on regular citizens. Matching that sorrow and misery is one of its most important songs, the Song of Healing. Despite its short length and simple composition, the Song of Healing is gorgeously moving. Players hear it whenever they visit the unsettling Happy Mask Salesman, who teaches it to them on his piano. Not only is it nice to listen to, but it is a vital piece of the story. Link must play it to several lost and haunted NPCs, bringing them peace where once was only pain. While listening to it, you can feel negativity wash away and a peaceful quietness take its place.

Midna’s Lament

“The Legend of Zelda: Twilight Princess” (2006)

Midna from “Twilight Princess” is one of the most distinct companions Link has ever adventured with. So for a scene that threatened her demise, the soundtrack needed an appropriately emotional tune. Thankfully, composer Toru Minegishi and his team exceeded all expectations. While we never truly expected Midna to die by Zant’s hand, it’s a testament to the power of this scene that we forgot that belief. Quick piano notes heighten the urgency as Link races through a storm and Midna desperately clings to life. The strings that fade in to join the piano tug at our hearts, emphasizing the bond that has built up between the two. It’s a moody, atmospheric track that creates a stand out moment in this entry.

Song of Storms

Various

Multiple songs from “Ocarina of Time” are short, sweet, and to the point. But few of them burrow into your brain the way “Song of Storms” does. Just like the Windmill it’s found in, the track goes round and round. But it never outwears its welcome. It’s catchy, lively, and, being played primarily through a phonograph, sounds unlike anything else in the game. It’s also highly useful, cleansing in more ways than one. It can cause fairies to appear at certain spots in Hyrule, cure you of the Blue Bubble’s curse, and bring peace to Sharp, a murderous spirit in “Majora’s Mask.”

Stone Tower Temple Theme

“The Legend of Zelda: Majora’s Mask” (2000)

Each area of Termina is stranger than the last, which makes Ikana Canyon the world’s weirdest. It’s a land home to malevolent spirits, undead soldiers, and a cursed family. To save them all, Link climbs to the twisted Stone Tower Temple. Its theme matches perfectly with Ikana Canyon’s history; the timing of its beat and its moaning vocals capture the feeling of an endless army, marching forward even in death. And yet, it’s just as catchy as most other songs across the franchise. The bass line bounces along as the ocarina’s notes puncture the forlorn tone. It’s somehow both unnervingly dark and playfully jaunty, making it one of the series’ most unique dungeon themes.

Gerudo Valley

“The Legend of Zelda: Ocarina of Time” (1998)

Koji Kondo is an absolute musical genius and he’s the reason “Ocarina of Time’s” music stands out all these years later. One of his crowning achievements, at least within “Ocarina,” is the Gerudo Valley theme. The track invokes and was clearly inspired by Spanish music. The flamenco guitar and accompanying horns make it sound like something you’d hear alongside the masked Zorro. Other than being one of the stand out songs on the soundtrack, it also helps its area stand out. Outside of the pirate fortress, Gerudo Valley is somewhat drab in its design and color scheme. But everytime this track greets us, none of that matters.

Title Theme

“The Legend of Zelda: Ocarina of Time” (1998)

For the first 3D “Zelda,” one might have expected to hear the victorious main theme over its title screen. But “Ocarina of Time” took a more subdued approach. One of its key threads is the loss of childhood and innocence. Link gives up his childhood, skipping seven years to become the hero Hyrule needs. And the opening track flawlessly encapsulates that. Deep, sweeping piano is joined by the titular ocarina, which adds much more meaning to the recorder’s tune from the NES game. By now, the title theme of “Ocarina” embodies nostalgia and a longing for the past on two fronts: for Link himself and for those that grew up playing this game.

Title Theme

“The Legend of Zelda: The Wind Waker” (2003)

“Ocarina of Time” isn’t the only entry with an incredible title screen theme. Instead of a tune that focuses on Link losing his sister, it instead focuses on the call of adventure and the joy of the unknown. It immediately hits you with a Celtic vibe thanks to its instrument choices. But it also has a clever connection to the story. Both melodies the track consists of are songs of the Sages. Realizing the connection made the music nerd in all of us sing with delight. Every game puts us in the shoes of the hero, but “Wind Waker” was the first to make us feel like an explorer in uncharted territory. So it’s great that the first music we hear encapsulates that feeling.

Clock Town Theme

“The Legend of Zelda: Majora’s Mask” (2000)

Despite a terrifying moon threatening death from above, the citizens of Clock Town never stop their hustle and bustle. For a town teeming with life, Nintendo required a tune that was just as lively as the setting. Clock Town’s theme is happy, springy, and fits well with the busy NPCs, most of which have their own schedules to keep. That’s just the first day; the song changes its pace and instruments for each of the three days within the loop. By the third day, with the moon having grown unnervingly close, the vibe is a bit less happy and a lot more frantic. It’s a really clever way to have the hub world music reflect your point in the story.

Zelda’s Lullaby

Various

Although we spend the majority of each game with Link, the titular Princess is always a strong-willed leader who’s passionate about the safety of her people. She’s usually shown to be immensely caring, warm, and ethereal. First appearing in “A Link to the Past,” “Zelda’s Lullaby” is an exemplary display of Zelda’s qualities. Slow, simple, and peaceful, it’s one of the prettiest tracks Koji Kondo has given us. As the series, character, and music has evolved, “Zelda’s Lullaby” has appeared in nearly every entry. But it’s normally reserved for key scenes to show the Princess’ grace and love. Every time we hear it, it tugs at our nostalgia for the franchise and pulls us in for a tender embrace.

Lorule Castle Theme

“The Legend of Zelda: A Link Between Worlds” (2013)

The final dungeon in this 3DS entry has one of the most incredible themes in the series. Beginning with quick strings and a playful woodwind, the castle’s theme walks a fine line between whimsical and suspenseful. It simultaneously makes you want to bob your head while giving the feeling that danger could strike at any moment. It has a couple of extra layers that make it even better. The deeper into the dungeon you go, the more instruments are added until it’s a full-blown orchestra, giving the sense that it’s carrying you towards a grand finale. Part of it is also the main Hyrule castle theme in reverse, which is a nice touch.

The Dark World

Various

“A Link to the Past” changed “Zelda” in a lot of great ways, such as being the first to have Link travel between two worlds. Despite the Dark World being corrupted by Ganon, its music is some of the catchiest in the game. Short horn blasts alongside a quick tempo and victorious strings get you ready for the new and dangerous area. It was a delight to hear it recreated in “A Link Between Worlds” for the kingdom of Lorule. A slightly quicker tempo, guitar in place of the horns, and an absolutely shredding violin breathed new life into the classic track. It’s one of the best overworld songs the franchise has ever seen.

Dragon Roost Island Theme

“The Legend of Zelda: The Wind Waker” (2003)

We had all gotten used to Gorons, Zora, and Dekus by the time the Rito were introduced. Nintendo gave the new race an awesome theme it knew would get stuck in our heads, making it so we wouldn’t soon forget them. It brings similar vibes as the Gerudo Valley theme. But it incorporates a pan flute to deliver its central tune, which will have you whistling it long after. It’s an evolution of Nintendo’s ability to bring in different influences and bend them to match its world. It was a shame it was only heard in one location…that is, until “Breath of the Wild.” It was slowed down dramatically and played primarily on a harpsichord, giving it a more romantic feel for the Rito village.

Saria’s Song

Various

Plenty of “Zelda” songs are jolly, snappy tracks with simple hooks that can easily get lodged in your brain for days on end. “Saria’s Song” is the best of that bunch. Ever since we ventured into the Lost Woods for the first time, we’ve been perpetually humming this song. “Ocarina of Time” even shows that it’s impossible to hear it and not want to dance. Maybe getting lost in these woods wouldn’t be so bad. It was reworked for “Twilight Princess’s” Sacred Grove. With a slower pace, no percussion, and quick harp plucks underneath, the song gained an otherworldly feel to match its mysterious setting. Regardless of which version you prefer, there’s no denying that “Saria’s Song” is one of the franchise’s most recognizable tracks.

“The Legend of Zelda” Theme

Various

The main theme for the series is not only iconic within “The Legend of Zelda,” but the entire medium of gaming. Beginning with the first entry on the NES, the song has become recognizable to even those who have never played any installments. It is the perfect adventure theme, instilling a sense of triumph, exploration, and heroism in us whenever we hear it. It’s been reworked to fit various overworlds and story beats, with “The Wind Waker’s” “The Legendary Hero” being a particularly fantastic stand out. It’s honestly an astounding piece from Koji Kondo. But from his genius arose a connection between music and game unmatched by any other gaming franchise.

Music from “The Legend of Zelda” is renowned by gamers the world over, and 30 entries only scratches the surface of the glory it has to offer. What are some of your favorite tunes from the series that we left off? Share your love in the comments, and be sure to subscribe to MojoPlays for more great gaming videos every day!