Top 100 Movie Soundtrack Songs

“Beaches” (1988)
Some songs require time (and the proper movie soundtrack) to become certified hits. “Wind Beneath My Wings” was originally composed back in 1982, and was recorded by numerous different performers before the release of “Beaches” in 1988. It would be Bette Midler’s take on “Wind Beneath My Wings” that would ultimately earn the song its most recognizable public profile. Midler’s powerfully breathtaking vocals carry the sweeping grandeur of this evocative ballad, particularly on its epic chorus. Sure, the synthesizer sounds here on the “Beaches” version almost immediately date “Wind Beneath My Wings” to the 1980s, but is that really a bad thing? We don’t think so.

“The Great Gatsby” (2013)
This 2013 film wasn’t the first time F. Scott Fitzgerald’s novel “The Great Gatsby” was adapted to the silver screen, nor lent a marvelous soundtrack. Yet, Lana Del Rey’s “Young and Beautiful” seems tailor-made to this sort of grandiose spectacle. The song’s cavernous production serves Del Rey’s reverb-laden vocal performance very well, giving it a deservedly cinematic scope. “Young and Beautiful” is also a poignant piece concerning its lyrics, stating out loud the thoughts many of us hear in our heads, when we’re feeling philosophical. What happens when looks fade, and age takes over? Is love truly forever, or just a fleeting thing? “Young and Beautiful” wants to find out.

“Barbie” (2023)
This 2023 adaptation of the famous Mattel toy line got a lot of people talking, as did its central soundtrack theme song, “What Was I Made For?” The Billie Eilish composition lyrically leans into the film’s feminist message and how it relates to the outside standards imposed upon women in society. Meanwhile, the balladry of the tune feels introspective and melancholic, while also boasting arrangements that feel smartly expansive. Eilish’s performance of the song, in the meantime, further pushed the singer/songwriter outside of her comfort zone. Her fanbase seemed to appreciate how “What Was I Made For?” thought outside the box.

“Working Girl” (1988)
The accolades just sort of speak for themselves when it comes to “Let the River Run” by Carly Simon. This singer/songwriter achieved a hat trick of the Academy Award, a Grammy, and the Golden Globe for this song from Mike Nichols’ 1988 film “Working Girl.” This speaks not only to Simon’s talent as a songwriter, but also the lightning-in-a-bottle timing of the whole affair. “Working Girl” was a hit back in ‘88, while the subsequent single release in ‘89 capitalized upon all of that kismet momentum. The pulsating beat of “Let the River Run” is driven home by the drumming, while Simon’s vocals are as charming as ever. This one’s a winner.

“Her” (2013)
It took a notoriously long time for the score of “Her” to receive a physical release after the film was originally released back in 2013. Thankfully, this wasn’t the case with “The Moon Song” by Karen O and Spike Jonze, which was released as a digital single a year after “Her” hit theatres. No less than three versions were contained on said single, including the movie version performed by leads Scarlett Johansson and Joaquin Phoenix. It’s a humble and pretty song, mainly just ukulele and voice, but this small arrangement packs a big emotional punch. “The Moon Song” is a tearjerker, to be sure.

“Midnight Cowboy” (1969)
Harry Nilsson was your favorite band’s favorite artist, a cult figure admired by artists like John Lennon and The Beatles. So, it should probably come as no surprise that Nilsson was able to take a tune that was recorded in ‘66 and released by someone else in ‘68 for his own only a year later. His version of “Everybody’s Talkin’ (Echoes)” was a hit from the “Midnight Cowboy” soundtrack, an eclectic collection of classic rock, folk, and psych. The strings lend a slick counterpoint to Nilsson’s confessional, post-Dylan croon, while the guitar playing possesses a driving jauntiness that’s maddeningly catchy. It’s great stuff.

“Scarface” (1983)
Everybody loves a good montage, right? Director Brian De Palma provided one for the ages with his 1983 film “Scarface,” as the movie depicts Tony Montana’s rise to power within the criminal underworld. You might think that a scene like this would include a tune that’s dark or insidious, but “Push It to the Limit” couldn’t be any more removed from that idea. Giorgio Moroder and Pete Bellotte[a]’s composition is a pulsating synth-pop tune that pounds with electronic drums and Paul Engemann’s soulful vocals. Some tasty guitar licks pepper “Push It to the Limit” for some extra “oomph,” while the melodic bridge calls to mind Moroder’s work on “The NeverEnding Story.” It’s gloriously UN-ironic, and we love it to pieces.

“That Thing You Do!” (1996)
Time seems to have forgotten 1996’s “That Thing You Do!,” a critically acclaimed but financially unsuccessful film that serves as a love letter to the one-hit wonders of the world. This is a shame, but at least the movie’s main theme was a hit back during the film’s original run. “That Thing You Do!” is a textbook pop tune from the earliest days of rock ‘n roll, with a MASSIVE hook. The drums pop, the vocals and backing harmonies are spot-on while the groove just makes us want to do The Swim or The Bunny Hop. It honestly makes us want to rewatch the film, which is always the mark of a stellar soundtrack cut.

“The Man Who Knew Too Much” (1956)
The filmography of Alfred Hitchcock, the Master of Suspense, probably isn’t the first place one might seek out a soundtrack cut. Yet here are, discussing “Que Sera, Sera (Whatever Will Be, Will Be),” a tune sung by Doris Day in Hitch’s 1956 feature, “The Man Who Knew Too Much.” Day’s performance of the song occurs at a critical point within the narrative, as she and James Stewart seek their kidnapped son. The call-and-response whistling of the young boy accompanying Day as his mother pumps up the tension, while the song itself is a memorable composition for piano and voice. It’s difficult to separate “Que Sera, Sera” from its source material, but honestly? We wouldn’t want it any other way.

“The Jungle Book” (1967)
The wonderful world of Disney is chock-full of soundtrack songs that could easily comprise a list of their very own. This is partially why we’re so proud to highlight some of them here, starting with “The Bare Necessities” from 1967’s “The Jungle Book.” It’s arguably the most famous song from this adaptation of Rudyard Kipling’s source material, thanks largely to its placement within the film. “The Bare Necessities” receives a massive influx of charm via Baloo the Bear and the man-cub, Mowgli, while the accompanying animation has gone on to become an iconic example of early Disney films at their best.

“Black Panther” (2018)
Fans of the Marvel Cinematic Universe were probably more used to jukebox soundtrack cues of familiar pop hits and score orchestration before 2018’s “Black Panther.” That film featured an accompanying soundtrack album that was produced by Kendrick Lamar, a collection that highlighted this collaboration between Lamar and SZA. “All the Stars” may be featured over the closing credits of “Black Panther,” but this commercial rap tune never feels tucked away or hidden. Instead, Lamar’s skills as an MC work well with SZA’s vocal talents, and “All the Stars” is made all the better for it, thanks to their superhero team-up.

“Xanadu” (1980)

“Juno” (2007)

“Despicable Me 2” (2013)

“My Best Friend’s Wedding” (1997)

“The Twilight Saga: Breaking Dawn – Part 1” (2011)


This franchise may not be the place for horror fans to seek their thrills, but at least their respective soundtracks had some bangers. “Decode” by Paramore was a great tune from the first “Twilight” film, while Christina Perri’s “A Thousand Years” appeared on both “Breaking Dawn - Part 1” as well as its sequel. This latter cut takes a more ballad-focused approach when compared to Paramore, a traditionally minded love song with an earnest message. “A Thousand Years” doesn’t avoid any sappiness (real or projected), but instead just wants to tie in themes of romantic love with the story unfolding in the world of Bella Swan and Edward Cullen.

“Young Guns II” (1990)

“La La Land” (2016)

“The Karate Kid” (1984)

“Hercules” (1997)

“Monty Python’s Life of Brian” (1979)
Context is key when it comes to the placement of “Always Look on the Bright Side of Life” within “Monty Python’s Life of Brian.” This absurdist comedy chooses the crucifixion of Brian as the place for him and his fellow cross-mates to sing the tune, effectively underlining this film’s black sense of humor. It’s a scene that’s gone down in infamy within what’s already an envelope-pushing Python picture, but this is also what’s helped the tune live this long within the pop culture zeitgeist. Heck, the heavy metal legends in Iron Maiden even play “Always Look on the Bright Side of Life” over the PA at the end of every single one of their concerts!

“Frozen” (2013)

“Trainspotting” (1996)

“The Lost Boys” (1987)

“A View to a Kill” (1985)

“The Prince of Egypt” (1998)
Never underestimate the power of an animated blockbuster when it comes to bringing together some serious star power. DreamWorks managed to nab both Mariah Carey and Whitney Houston to sing its main theme from 1998’s “The Prince of Egypt.” The end results are as great as one might expect. Sure, they differ from the version featured in the final film, but these two women were voices of their generation, so pure musical excellence is what listeners reaped with “When You Believe.” The R&B arrangements make this version stand out, too, essentially giving us two excellent songs for the price of one.

“The Way We Were” (1973)

“Pocahontas” (1995)

“Super Fly” (1972)

“Coco” (2017)

“Drive” (2011)
Here’s a question: did 2011’s “Drive” make synthesizers cool again? Well, that’s actually a trick, because the truth is they NEVER stopped being cool, but Nicolas Winding Refn’s film certainly reminded its audience of their awesomeness. This was thanks largely in part to the inclusion of “A Real Hero” on the “Drive” soundtrack, a collaboration between France’s College and Electric Youth from Canada. The slick, neon-soaked visuals of the film feel perfectly suited to this synth-wave banger, while the production somehow manages to feel both icy cold and emotionally resonant. “A Real Hero” was, quite honestly, revelatory back in 2011, and it still kicks ass today.

“A Goofy Movie” (1995)

“Pulp Fiction” (1994)

“RRR” (2022)

“Cinderella” (1950)

“Slumdog Millionaire” (2008)
Fans of the 2008 film “Slumdog Millionaire” will likely remember this song, while those unfamiliar with the source material might be more familiar with the English version. That cut featured former Pussycat Doll Nicole Scherzinger, but both takes on “Jai Ho” are indebted to Indian pop music melodies and orchestration. The electronic execution of “Jai Ho” makes it feel tailor-made for the dance floor, pulsating relentlessly with an energy that rarely stops for a breather. It feels very much in line with club music from the late millennium, embodying a lot of stylistic tropes that comparison entails.

“Moulin Rouge!” (2001)

“Aladdin” (1992)

“An Officer and a Gentleman” (1982)

“Reservoir Dogs” (1992)

“Gentlemen Prefer Blondes” (1953)
The differences between Broadway productions and cinema adaptations are numerous, but there’s no denying that the Marilyn Monroe performance of “Diamonds Are a Girl’s Best Friend” went on to become the stuff of legend. Carol Channing may have initially popularized this tune with the OG “Gentlemen Prefer Blondes,” but Monroe’s generational stage presence and persona lent “Diamonds Are a Girl’s Best Friend” certifiable icon status. Maybe it’s the wardrobe, the lights, or the choreography, but everything works perfectly to assist Monroe’s take on the song. Co-star Jane Russell even gets to try her hand at the tune later on, proving that this “Diamond” was bright enough to shine with just about everyone.

“Furious 7” (2015)

“Grease” (1978)

“Holiday Inn” (1942)

“The Lord of the Rings: The Return of the King” (2003)

“Swing Time” (1936)
The tastes of moviegoers are constantly changing, with grandiose musicals and romances often coming in and out of fashion. This is natural, especially considering how this genre held so much creative dominance for such a long time. “The Way You Look Tonight” is one of the best and most enduring songs from this period in cinema. The tune gained immense popularity, thanks to its appearance in the 1936 film “Swing Time,” starring Fred Astaire and Ginger Rogers. The composition here is sentimental and taken straight from The Great American Songbook worshiped by artists like Frank Sinatra. It’s warm, cozy, and fits Hollywood glamour to a “T.”

“Once” (2007)

“Lost in Translation” (2003)

“Tarzan” (1999)

“Donnie Darko” (2001)

“Spider-Man: Into the Spider-Verse” (2018)
It’s fairly easy to argue that “Sunflower” by Post Malone probably would’ve been a hit, even if it hadn't’ appeared on the soundtrack to “Spider-Man: Into the Spider-Verse” back in 2018. Malone seemed to believe in the song, too, since he shot two videos for the tune, and also included it on his 2019 album, “Hollywood’s Bleeding.” Fans from both the comic and music worlds seemed to agree, since the funky and melodic “Sunflower” did big business on Spotify, garnering over 3.2 BILLION streams. Not too shabby for a comic book movie cut, right?

“The Blues Brothers” (1980)

“Say Anything…” (1989)

“Shrek” (2001)

“Guardians of the Galaxy” (2014)

“O Brother, Where Art Thou?” (2000)
Traditional folk music and Americana serve as important aspects of “O Brother, Where Art Thou?” and its creative DNA. As a result, the version of “Man of Constant Sorrow” provides us with one of those rare instances where a song first written around 1917, and not recorded until the late 1920s, gained new life in a new millennium. Sure, other artists have tried their hand at “Man of Constant Sorrow,” including heroes like Bob Dylan, but there’s a striking visual flair to this movie version. George Clooney and his Soggy Bottom Boys provide a humorously theatrical counterpoint to the song’s jaunty melodies, and the scene in the recording studio was a true highlight.

“Beauty and the Beast” (1991)

“Easy Rider” (1969)

“Ghost” (1990)

“Toy Story” (1995)

“Purple Rain” (1984)
Movie soundtracks often come and go, but every one of them hopes to tap into the cultural zeitgeist in a fashion similar to Prince’s “Purple Rain.” That OST had a number of certifiable classics from The Purple One, including our pick, “When Doves Cry.” This song is a potent mix of hard rock, funk, and psychedelic pop that meant a lot of things to a lot of different people. Prince just seemed to have that crossover sensibility, a universal solvent of sorts that nail sound and style with ease. “When Doves Cry” is catchy and memorable, earning all of the hype and flowers.

“9 to 5” (1980)

“A Hard Day’s Night” (1964)

“Armageddon” (1998)

“Arthur” (1981)

“Pinocchio” (1940)
It speaks volumes that Disney has kept this song from 1940 so tied into their cultural and corporate identity over the years. The company has released so many magnificent songs over the years, yet there’s a simple and direct honesty to this one that’s endured. It helps, naturally, that the original performance in Disney’s “Pinocchio” is so tender and nostalgic. Yet, the actual lyricism and melody at play combine childlike wonder with musical grace that’s been rarely equaled in the decades since its debut. They call them “standards” for a reason, after all.

“Butch Cassidy and the Sundance Kid” (1969)

“Selma” (2014)

“Goldfinger” (1964)

“Singin' in the Rain” (1952)

“Breakfast at Tiffany’s” (1961)
The filmography of Audrey Hepburn was a varied one, even delving into horror/thriller territory with films like “Wait Until Dark” and “Bloodline.” That said, it’s the romance of “Breakfast at Tiffany’s” that proved to be a defining career moment for Hepburn; a romanticism that’s echoed in the wistfulness of “Moon River.” The combination of acoustic guitar and Hepburn’s breathy vocals could make just about anybody swoon, but the song’s composition is simple enough to make it coverable for a wide variety of artists. The success of “Moon River” echoed back to The Great American Songbook, and jazz standards that formerly ruled the Hollywood roost. But it was Hepburn who gave this Henry Mancini and Johnny Mercer song a forever home.

“Highlander” (1986)
The 1986 film “Highlander” featured multiple amazing songs by Queen on its soundtrack. “Who Wants to Live Forever” is up there with the most evocative ballads, full stop. Meanwhile, “Princes of the Universe” is all power, emotion without a stroke of irony. It’s as epic as the “Highlander” world itself, an outlandish rock statement with aggressive riffing and unreal energy. “Princes of the Universe” is electric, capturing a lightning-in-a-bottle approach that mimics the film’s heroes and villains. If there can be only one tune responsible for capturing the film’s essence, we think it has to be this one.

“Dangerous Minds” (1995)
It’s quite difficult to separate this song and accompanying video from the musical legacy of Coolio. If anything, “Gangsta’s Paradise” has outlived 1995’s “Dangerous Minds,” in which it was featured. Of course, it helps that it hangs its creative hat upon the melodies already present within Stevie Wonder’s “Pastime Paradise.” That said, Coolio’s flow and sincere delivery work wonders, allowing the listener to really believe the performance. Elsewhere, L.V.’s singing on the chorus brings it all home. Whether it’s playing over “Dangerous Minds”’ opening or just blasting through the stereo, “Gangsta’s Paradise” is simultaneously “of its time” and timeless.

“Batman Forever” (1995)
“Kiss from a Rose” was actually released on two very different film soundtracks. This all-time Seal classic debuted on the OST from “The NeverEnding Story III,” before finding its home in 1995’s “Batman Forever.” Both films feature fantastical elements, sure, but the latter’s gothic grandeur and moody Bat-setting feels more in-line with the composition. The number is devilishly romantic, a dramatic piece that’s set on fire by Seal’s impassioned vocals. It is, in a word, sumptuous, benefitting from poetic lyrics and melodic orchestration. It may not have been crafted for “Batman Forever,” but we can’t imagine a better love theme for Bruce Wayne and Dr. Chase Meridian.

“Men in Black” (1997)
Never underestimate the power of a great sample. Will Smith’s “Men in Black” does a great job at incorporating “Forget Me Nots” by jazz-fusion artist Patrice Rushen. But it also succeeds at standing on its own two creative feet and serving its eponymous film. Smith does a lot of heavy lifting, delivering enough charisma to fill a hot air balloon. His flow is underrated too, helping us understand the sci-fi action flick’s story and titular characters while never coming across as heavy-handed or corny. “Men in Black” is danceable, melodic, and economically composed, with only a single mission: to get you out on that dance floor.

“Do the Right Thing” (1989)
The writing was already on the wall by the time “Fight the Power” hit listeners like a freight train. This theme from “Do the Right Thing” underlined how hip-hop was becoming the method of musical communication for a generation. Crucially, it never tries to play it safe or shy away from a political message. Thus, “Fight the Power” is high energy and aggressive, yet approachable. It feels like a mantra for anyone who’s willing to listen from the moment it plays over “Do the Right Thing”’s opening. Spike Lee knew what he was doing when he got Public Enemy to craft the tune for his 1989 movie. Radio Raheem, his boombox, and the theme song will forever be linked.

“National Lampoon's Vacation” (1983)
You know those theme songs that feel like they were basically tailor-made for their movies? They’re able to flawlessly embody the story’s energy without pretension, even if that energy is largely silly and chaotic. If you ask us, that’s exactly what Lindsey Buckingham’s “Holiday Road” accomplishes vis-a-vis “National Lampoon's Vacation.” At this point, it belongs to the Griswold family. You can’t help but smile and feel happy when it plays, just like you can’t help but laugh while watching the movie it was made for. Indeed, it’s infectious, with a classic chorus and super cool instrumentation. Is it any wonder the bluesy, pop-rock bop found its way into multiple “National Lampoon” sequels?

“Robin Hood: Prince of Thieves” (1991)
Canada’s Bryan Adams is no stranger to writing big songs, and even bigger hits. He knows his way around a chorus, and “(Everything I Do) I Do It for You” possesses one of the best. A running theme throughout this list is sincerity, or at least the perception of it, and this song is practically begging to be seen in this light. The grandiose ballad expertly underscores the love story present between the title character and Marian in 1991’s “Robin Hood: Prince of Thieves.” This becomes evident as it lurches up for a massively affecting bridge, before a tender guitar-heavy interlude guides us into the EPIC closing minutes. We still have goosebumps.

“Shaft” (1971)
The Blaxploitation genre became a treasure trove of funky instrumental soundtracks from artists like Isaac Hayes, Marvin Gaye and Roy Ayers. Indeed, Hayes’ work on 1971’s “Shaft” was and remains incredibly important for genre representation in movie soundtracks. The Oscar-winning “Theme from Shaft” takes its time, building up with that hi-hat, before the beat builds to mesmerizing effect. It isn’t until over two minutes in that Hayes starts his call-and-response vocal. The song itself describes private eye John Shaft in no uncertain terms: this is a bad mother, and a complicated man. The funk is on fire here, and “Theme From Shaft” lives forever in our brains, rent-free.

“Philadelphia” (1993)
The Boss has carved a career out of telling stories with his music. Classics like “Born to Run” and “Meeting Across the River” are great examples. But this award-winning number, crafted for 1993’s “Philadelphia,” spotlights that aspect of Bruce Springsteen’s songwriting cinematically. The movie centers on Andrew Beckett, who has AIDS, and his fight for justice. Needless to say, it’s not a lighthearted watch. Its theme tune anchors itself on a compelling breakbeat, while Springsteen delivers an intimate vocal. Sharp production values further do the soft rock hit justice, making “Streets of Philadelphia” big, but never disingenuous. As a result, the song is appropriately tethered to its source material’s serious and dramatic tone.

“Fame” (1980)
This musical drama explores both the expectations and reality of pursuing a career in the arts. The theme song taps more into the expectations, but there’s nothing wrong with that. The “Fame” theme is so optimistic that it’s practically therapeutic for aspiring artists everywhere. If you need a pick-me-up before a life-changing audition or the opening night of your Broadway debut, this song will give you the confidence. By the end of the first verse, you might be compelled to rush outside and start dancing in the streets. Michael Gore’s toe-tapping music and Dean Pitchford’s celebratory lyrics are perfectly complemented by Irene Cara’s enthusiastic vocals. The song isn’t simply about achieving fame. It’s about the enduring passion that will take you to the top.

“The Muppet Movie” (1979)
At the suggestion of Jim Henson, Paul Williams and Kenneth Ascher devised a banjo solo for Kermit the Frog. The result was “Rainbow Connection,” a tune that was inspired by the magical “When You Wish Upon a Star” from “Pinocchio.” Just as that timeless tune evolved into Disney’s anthem, “Rainbow Connection” has etched out a similar place in the Muppets’ legacy. Also like Walt Disney, Henson was a once-in-a-lifetime innovator who always dreamed big. “Rainbow Connection” encourages dreamers to pursue the impossible and make it a reality. You may even pick up some friends who share a similar dream along the way. While the main story commences with Kermit singing alone, he’s joined by over 250 Muppets for the final reprise, completing the Rainbow Connection.

“Back to the Future” (1985)
Nothing jumpstarts a time travel plot quite like being late for school, but it’s the classic pop rocker that gets Marty McFly really going. Huey Lewis’ first number one single, the song pops up throughout this sci-fi trilogy, meshing brilliantly with the movie’s themes and with Marty’s idealistic young character. As it’s practically his own personal theme, Marty and his band ‘The Pinheads’ attempt to perform the tune at a battle of the bands audition; however, a familiar-looking judge shuts him down pretty quick. And that’s too bad, because “The Power of Love” is an undisputed masterpiece, and we personally don’t mind if it’s too darn loud.

“The NeverEnding Story” (1984)
“The NeverEnding Story” remains a decade-defining movie for any kid who grew up in the 80s. From the get-go, the English version of this fantasy creates a distinctly 80s aesthetic with its synth-pop theme song. That’s not to say the song is at all dated. On the contrary, there’s a sense of wonder to the lyrics and melody that’ll speak to anybody with an active imagination. Limahl’s whimsical vocals only make the tune more infectious. Like the film, the song does technically end, which you could argue contradicts the title. The tune is so catchy, however, that you want to play it on an endless loop. No matter how many times we listen to it, the theme never loses its appeal.

“A Star Is Born” (2018)
Although it was originally meant to merely be played over the end credits, “Shallow” evolved into the driving force behind “A Star Is Born.” You never know where a song might take you. One day, you might be testing it out in a parking lot with a fellow singer you just met. The next, the two of you could be performing it in front of a massive audience. This power ballad conveys Ally’s desire for something more, Jackson’s search for companionship, and their escalating feelings for each other. Although Ally is initially afraid to dive off the deep end, Jackson motivates her to jump with him. Moving out of shallow waters, Ally is swept away by the adoring crowd and her blossoming romance with Jackson.

“The Graduate” (1967)
We all associate this folk-rock song with the eponymous Mrs. Robinson, who jumpstarts the younger Benjamin’s journey into adulthood. When Simon & Garfunkel were first working on the tune, it wasn’t about Mrs. Robinson. Rather, the song was originally titled “Mrs. Roosevelt,” as in the former First Lady. Following a meeting with director Mike Nichols, everything started falling into place for the now-classic song. Although traces of the tune’s original intent can still be heard in the final product, it still works as an ode to Mrs. Robinson. The carefree melody paints an innocent portrait. Upon reading deeper into the lyrics, we sense that there’s something more adult going on, especially the verse where they talk about needing to hide “the Robinson’s affair” from the kids.

“Footloose” (1984)
The “Footloose” soundtrack has arguably left an even greater impact than the film itself. More than 35 years later, we’re still rocking out to the titular theme song by Kenny Loggins and Dean Pitchford. Although many associate this song with Kevin Bacon’s iconic warehouse dance, the song “Never” by Moving Pictures actually accompanies that scene. Whenever we’re alone and need to blow off steam, “Footloose” is the song we turn to. The lively lyrics and electrifying melody encourage us to let out all of our pent-up energy through dance. You might not have Ren McCormack’s dancing skills, but the song will make you feel confident enough to fly. It’s the ideal way to kick off a weekend and has basically become a school dance staple.

“Flashdance” (1983)
Another dance flick that defined the ‘80s, “Flashdance” also scores singer Irene Cara her second mention on this list. Co-written by Cara, Giorgio Moroder, and Keith Forsey, the theme song can be summed up in one word: “joyous.” As such, we can’t think of a more fitting way to cap off our heroine’s journey. First heard over the opening credits “when there’s nothing,” the theme returns for Alex’s climactic audition. Both the song and the dance convey how far Alex has come not only as a performer, but as a person as well. Emerging more radiant and resilient than ever before, Alex leaves her audience on a high note. It’s a mic drop of an ending that wouldn’t feel complete without this inspiring song.

“Rocky III” (1982)
If we were to rank all the “Rocky” movies, the third chapter would fall somewhere in the middle. As far as “Rocky” theme songs go, though, “Eye of the Tiger” is the one to beat. Performed by the band Survivor, the song was co-written by lead guitarist Frankie Sullivan and keyboardist Jim Peterik. Tying it all together is lead singer Dave Bickler, whose fiery vocals bring out the will to survive. “Eye of the Tiger” could’ve just been a catchy tune to play over the credits and training montage. However, the filmmakers weaved this rousing song into the narrative’s overarching theme. It encompasses the edge that made Rocky the champ and the drive he feels to reclaim his title. The outcome is a knockout.

“8 Mile” (2002)
“8 Mile” is a semi-autobiographical film that draws influence from Eminem’s life before he achieved mainstream success. The rapper’s struggles and triumphs are on full display in “Lose Yourself,” which encapsulates B-Rabbit’s journey in roughly five minutes. The song also captures the grit and pride associated with the Detroit hip-hop scene, as well as the city itself. In addition to being what might be Eminem’s most personal work, its rhyme scheme and beat burrow their way into the listener’s head. Although Eminem wasn’t present to accept his Oscar, he’d appear on the 2020 Academy Awards telecast to perform “Lose Yourself.” It went to show that even after all these years, people were still turning to the song for inspiration and making memes out of “Mom’s Spaghetti.”

“Dirty Dancing” (1987)
Of all the dance movies the ‘80s gave us, “Dirty Dancing” may be the most memorable. This is due in part to its soundtrack, which offered a variety of nostalgic songs and original singles. The standout is this Oscar and Grammy-winning tune, which accompanies the climactic dance between Baby and Johnny. While the song was written with the film in mind, its placement during this pivotal scene can be attributed to choreographer Kenny Ortega and assistant Miranda Garrison. “(I’ve Had) The Time of My Life” synced up flawlessly with their choreography, as well as the emotional journey our leads have been on. The sequence is as sizzling as it is uplifting, appropriately culminating with what might be the most famous lift in cinema.

“Live and Let Die” (1973)
The words and ideas of Ian Fleming managed to reunite Paul McCartney with The Beatles’ producer George Martin to create one of the best-remembered themes from the long-running James Bond series. Written by Sir Paul after reading the novel on which the film was based, the tune’s sultry piano music strikes up without warning and sets the stage for the musical pressure to come in the form of a grand orchestra. The rocker’s triumph was as inevitable as another Bond movie, and it became not only one of Wings’ most successful singles but also the first Bond theme to be Oscar-nominated for Best Original Song. The first to win, however, was “Skyfall.”

“The Bodyguard” (1992)
While some songs become iconic right away, others take time to achieve such a status. “I Will Always Love You” is an example of the latter. When Dolly Parton first released the original country version in the 70s, it performed well. But Whitney Houston immortalized the song with her haunting rendition in “The Bodyguard.” In her film debut, she plays an actress/singer who develops a close relationship with her bodyguard. Although the romance is kept relatively understated for most of the film, our lovers share a steamy embrace as they part ways. Their kiss goodbye is sealed with an equally passionate song. Houston throws her soul into every note. Although the two go their separate ways, their hearts remain intertwined through this poignant track.

“Top Gun” (1986)
This is truly a song that screams “1980s” and acts as the anthem for bromances across the world. Mixing a synthesized bassline with the vocals of the King of the Movie Soundtrack himself never sounded so good, especially considering the background to the song: originally, producers wanted Toto, Bryan Adams or even REO Speedwagon to perform it – with all of them turning down the opportunity for different reasons. Eventually, Mr. Loggins was tapped to perform the hit track, likely thanks to his impressive job with “Footloose” a few years prior. But it’s the epic nature of “Danger Zone” that has bypassed ‘80s cheese and gone straight back into awesome territory.

“Ghostbusters” (1984)
Say it with us now: “Ghostbusters!” When approached by producers to create a theme for this supernatural comedy, Ray Parker, Jr. was given very little time to write a dance-pop masterpiece – especially considering how hard it is to rhyme with “Ghostbusters.” According to Parker, he saw a cheap ad late at night that was incredibly similar to the one featured in the movie and he was inspired to set what basically became a commercial jingle to a popping beat. However, Huey Lewis sued Parker due to the similarities between the “Ghostbusters” theme and his own song “I Want a New Drug.” Regardless of the resemblance, Parker, Jr. seems to have come out on top thanks to his super-catchy theme song.

“The Breakfast Club” (1985)
This coming-of-age classic opens and closes with the same song by rock band Simple Minds. By the time the credits roll, the characters we met in the first scene have significantly grown. “Don’t You (Forget About Me)” encompasses the same feeling each teen experiences as they part ways. It’s a feeling that although something has come to an end, something new is beginning. Whatever waits on the horizon, the five likely won’t face it together because they all come from different backgrounds. But the impact they’ve had on each other won’t be forgotten. The same can be said about this bittersweet new wave tune. Anyone who feels lost as the song commences may find what they’re searching for before its conclusion.

“Saturday Night Fever” (1977)
They say disco is dead, but the endurance of this film’s best-selling soundtrack suggests it’s still very much alive. The Bee Gees’ musical contributions, in particular, added another layer to the story and character development. Right off the bat, “Stayin' Alive” tells us everything we need to know about Tony Manero. Like the song, Tony comes off as cool and confident on the surface. Listening to the lyrics, however, the song’s message of survival is made apparent. Although it seems like Tony owns the streets of New York, the big city is slowly eating him alive and disco is the one escape. The song will speak to anyone who’s tried to maintain a self-assured appearance while struggling to find their place in life.

“The Lion King” (1994)
We easily could’ve populated at least half of this list with themes from Disney’s animated library. For the sake of variety, though, we’re shining a spotlight on the Disney song that gives us the most chills. No, not “Let It Go,”― although that ever-popular tune was a worthy contender. Every time “The Lion King” commences with the “Circle of Life,” we get goosebumps. It’s a song that makes us feel almost insignificant in the vastness of nature. At the same time, “Circle of Life” reminds us that we all have a part to play in this world. Elton John’s music and Tim Rice’s lyrics are sweeping yet soothing, not unlike a sunrise. Opening and closing Simba’s story, the song makes the circle whole.

“Titanic” (1997)
As an elderly Rose lies in bed, her younger self reunites with Jack aboard the Titanic, sharing a kiss while their fellow passengers surround the staircase. For anyone in the audience barely containing their tears, the ensuing song is what unleashed the floodgates. “My Heart Will Go On” is every bit as epic and romantic as the film that inspired it. Ironically, director James Cameron initially didn’t want a theme song for his picture because he feared it’d come off as too “commercial.” Likewise, singer Celine Dion wasn’t sure if she had another “Beauty and the Beast” in her. Composer James Horner was so adamant that he quietly worked on the song with lyricist Will Jennings. Cameron eventually gave his blessing and the rest is history.

“The Wizard of Oz” (1939)
“The Wizard of Oz” is full of extravagant musical numbers. But its most beloved song feels surprisingly simple. There’s no complex choreography or crowds. It’s just a young girl on a farm, singing about her desire to travel somewhere more colorful. But sometimes the simplest songs are the most profound. “Over the Rainbow” brilliantly sets up Dorothy’s story. Upon arriving in Oz, all she wants is to return home. It dawns on Dorothy how much she misses the comfort of Kansas, as well as those she left behind. Her farm might not be as exciting as Oz, but it has a warmth that can’t be topped. While “Over the Rainbow” speaks to our inner-adventurer, its peaceful melody reminds us that there’s no place like home.