Top 20 Greatest WWE Entrance Songs Ever

Rey Mysterio

The entrance music for professional wrestlers is often a fluid thing, shifting and progressing along with the character. Heroes and villains often shift their themes to fit shifting allegiances, but Rey Mysterio has largely remained one of the most well-liked and respected wrestlers from the WWE. “Booyaka 619” is Mysterio’s third theme overall for the company, and continues the trend of referencing the luchador’s famous finishing maneuver. The tune is aggressive, but with a funky groove that made it a perfect fit for artists like P.O.D to lay their own personal stamp on Jim Johnston’s composition.

Evolution

The combination of heavy metal legends Motörhead and Triple H for the latter’s theme “The Game” went so well that it just sort of made sense for Motorhead to continue the partnership with the team Evolution. “Line in the Sand” was another mid-paced cruncher from Ian “Lemmy” Kilmister and The Boys, a hard-edged tune with tons of swagger. It was the type of tune that felt tailor made for Evolution’s slow swagger to ringside. Ric Flair, Randy Orton, Triple H and Batista, the members of Evolution, knew they were a force to be reckoned with, and “Line in the Sand” told every single one of their opponents that they were in for a bad night.

Seth Rollins

The music of Seth Rollins is a free-flowing type of beast, refusing to be pigeonholed or nailed-down. It’s like the character himself, a continually evolving entity from his days with The Shield to his current persona as Seth “Freakin’” Rollins. We have to admit, however, that we’re partial to the second iteration of his “Second Coming” theme. The addition of the yelled “Burn It Down!” part was actually the idea of Colby Lopez, the real name of Rollins, building on an idea by Vince McMahon. It’s a great way for the song to transition from its hard-hitting opening riff to the headbang-able breakdown that signifies Rollins’ arrival to the ring.

CM Punk


This wasn’t the first time CM Punk utilized an established rock song as his entrance music. The Voice of the Voiceless had previously had “This Fire Burns” from Killswitch Engage for his theme, but it’s “Cult of Personality” by Living Colour that fans likely associate most with Punk. It’s that little pause within the opening riff that allows for tension to build for fans, a moment of electricity before CM Punk makes his way to the squared circle. “Cult of Personality” eventually became so closely connected with Punk that it even followed him to competing promotions, like AEW. If that’s not longevity, then we don’t know what is.

Roman Reigns

There’s a regality to Roman Reigns’ “Head of the Table” theme, a tune that feels fit for a king. Or is that chief? This former Shield member was the WWE Undisputed Universal Champion for an astonishing thirteen-hundred-and-sixteen days, and his entrances became more elaborate during this reign. The moody composition and arrangements for “Head of the Table” made these entrances feel like events unto themselves, as The Tribal Chief led his Bloodline into war. The melodies are strong here, clarion calls for a leader that dominated the WWE landscape, without peer, for nearly four years.

Kane

Here’s a question: Do you prefer pro wrestling themes with or without lyrics? Jim Johnston’s original theme for Kane, titled “Burned,” set the stage for those spooky melodies that would become part-and-parcel of the character. Finger Eleven would then adapt Johnston’s melodies for their own, updated version, titled “Slow Chemical.” But wait, there’s more! Kane’s theme “Out of the Fire” also boasts those same melodies, only this time with some bluesy, soulful guitar work and gothic keyboard effects. We honestly have a difficult time picking a favorite, but “Burned” started it all, and is admittedly difficult to top.

The Undertaker

Sure, The American Badass iteration of The Undertaker may have had his own hit entrance theme via his adoption of Limp Bizkit’s “Rollin’ (Air Raid Vehicle).” However, fans of this WWE legend will likely always consider “Graveyard Symphony” to be a defining song for the character. Jim Johnston adapted the “March funebre” section of Frédéric Chopin’s “Piano Sonata No. 2” for the tune, a dark melody that remains forever linked with mortal death. This lends The Undertaker’s slow and methodical entrance a foreboding atmosphere unlike any other. The fans in the stands will wait forever for The Undertaker to make his way to the ring, becoming hypnotized by Johnston’s iconic composition.

Cody Rhodes

It speaks volumes that the WWE didn’t compose new music for their “prodigal son,” Cody Rhodes, upon his return to their fold. Rhodes retained “Kingdom” by Downstait, a song composed specifically for him after initially leaving the WWE. The company used to be notoriously protective of how its characters and respective legacies were perceived, often “adjusting” history in order to fit new narratives. The Triple H era has instead done a great job at acknowledging precedent and canon, even if it was achieved elsewhere. This is partially why “Kingdom” has earned the following it has for so many years, a singalong-able banger with massive hooks and melodies for days.

Edge


Do you think that Mark Tremonti of Creed and Alter Bridge knew back when the latter released their debut LP that “Metalingus” would be a hit? The song wasn’t released as a single, but never underestimate the power of the WWE Universe. Edge would adopt “Metalingus” as his entrance theme in 2004, and it would go on to become as synonymous with the character as the “Blood” theme was for Edge’s former faction, The Brood. This is anthemic and muscular metal that did a great job at severing the creative ties from Edge the Tag Team Specialist, and building the “bridge” to Edge the Singles Competitor.

Kurt Angle

Kurt Angle made his televised WWF debut in 1999, but his memorable theme made its debut two years before him. That’s because this Jim Johnston tune was actually recycled from its usage as the theme for Del Wilkes’ character The Patriot. Let’s be clear, however: it was the WWE Universe that helped make “Medal” an iconic piece of pro wrestling music. This was thanks to Angle’s status as a heel, and the ingenuity of the audience to yell “you suck!’ during the breaks in Johnston’s tune. The rest, as they say, is wrestling history!

Triple H


As we’ve already seen, WWE theme songs have been contributed by both talented composers within the WWE ranks, like the amazing Jim Johnston, and outside artists, often with a considerable reputation of their own. Earlier, we alluded to the collaboration between Motorhead and Triple H for the classic opening theme tune “The Game,” and here it claims its own spot on the list. Actually, they did it twice, as Hunter also used the band’s “King of Kings” song for his departure theme, often when working as part of The Authority. It doesn’t matter which song you choose, the heavy metal, rock ‘n roll vibes of Motorhead and Triple H just gel together in perfect symbiosis.

Batista


Batista’s theme was another opening track that was penned by an outside band, in this case the heavy rock act Saliva. The song plays heavily into the WWE’s connection with aggressive, testosterone-fueled nu-metal. This sound, for better or worse, largely defined the brand in the new millennium and beyond, although today the brand is much more diverse when it comes to music. Still, “Walk Alone” feels like a time and a place, a land of giants in which warriors like Batista prowled the square circle, looking for victims. The solo section in particular features a tasty, mid-paced riff that feels perfectly suited to Batista’s bruising in-ring style. The combination Saliva, Batista and “Walk Alone” definitely feels like kismet.

Chris Jericho


The arrival of Chris Jericho into the WWE was one that was met with one of the most iconic ovations in the company’s storied history. Of course, it helped that Jericho was aided by one of his most defining theme tunes, “Break the Walls Down.” Chris has redefined himself numerous times over the years, but this post-WCW iteration speaks to the man’s rock ‘n roll lifestyle and flamboyant, technically gifted pedigree. Jericho’s “Walls of Jericho '' finisher ties into the song lyrically, while the vocalist on the track also drops not-so-subtle references to heavy metal legends Judas Priest. It’s a perfect storm of attitude, swagger and riffage to signal the entrance for one of pro wrestling’s GOATS.

Randy Orton


Is there any theme tune that better suits the superstar making their way into the ring? Randy Orton’s “Voices” theme just feels slinky and serpentine, like “The Viper” himself, while at the same time feeling coiled and ready to strike. “Voices” makes its mark almost immediately with the declaration that Randy does indeed “hear voices” in his head, and that they “talk to him,” drawing him into wickedness. Then, as the song gradually increases in anger and intensity, “Voices” erupts with that sort of nu-metal crunch that defined so many vintage WWE themes. It’s a song we honestly can’t imagine being paired with any other superstar.

D-Generation X


There were many WWF Attitude Era themes that helped define that commercial boom period in professional wrestling. This was one of them, a song that instantly transports you to a time and place, an era where anything could, and very often did, happen. “Are You Ready?” may ask a rhetorical question, but we already know the answer. Yes, fans were very much ready for D-Generation X to assault the boundaries and limits of good taste, and this sassy, slightly funky rock tune served as the perfect soundtrack. “Are You Ready?” almost feels like a bizarro Rage Against the Machine with its rap/rock attack, a neon green, cross-chopping call-to-arms for the bad guys to arrive.

Shawn Michaels


Musical themes from the old school WWE don’t generally have a life as long as “Sexy Boy” from The Showstopper, Shawn Michaels. The OG version of this tune was actually sung by Michaels’ then-manager, Sensational Sherri. “Sexy Boy” would later be switched over to feature a new vocal track by Michaels himself, although Sherri’s background recordings remained. This song is “of its time” in the best possible way, a piece that was initially intended to underline Michaels’ separation from The Rockers. Today, however, it’s seen as the triumphant theme to one of the best to ever lace up a pair of boots.

John Cena


It’s never been out of the question for a wrestler to assist in performing their own theme song, but perhaps the most successful of them all remains John Cena. The Face that Runs the Place proved he actually had some decent flow when he took to rapping “The Time is Now,” while the boisterous production and bright energy fits perfectly with Cena’s colorful ring attire. “The Time is Now” may have had multiple songwriters behind the desk (including John’s cousin, Tha Trademark), but the end results are purely and undeniably Cena.

The Rock


Let’s face it, The Rock’s “Electrifying” theme beats the hell out of his first WWF entrance music when he was the babyface Rocky Maivia. The tune is another that opens up with an immediate vocal, as The Rock shouts his catch phrase, announces to everyone that he’s here, and ready to open up a can of whoop-ass. Perhaps less celebrated is the song’s funky groove, a bass-driven head-bobber that feels a little soulful, a little heavy and a whole lot of awesome. If The Rock was The People’s Champion, then consider “Electrifying” to be The People’s Theme Song.

Hulk Hogan


Rick Derringer is a guitar rock legend, working with artists as varied as Steely Dan, Johnny Winter and even “Weird” Al Yankovic. Derringer also made a big mark on pro wrestling with the most famous wrestling song of all time, “Real American.” The song would become synonymous with Hulk Hogan, the 1980s and the Rock ‘n Wrestling Connection, a feel-good anthem with true arena pomp and circumstance. It’s a shamelessly jingoistic throwback to a character that defined an era; a song with no-nonsense riffs and a soaring vocal with real purpose.

“Stone Cold” Steve Austin

It’s obvious from the moment that glass shatters, it’s time to raise some hell. “I Won’t Do What You Tell Me” might sound like it belongs better as a theme for D-Generation X, but the heavy metal riffing and no-nonsense attitude immediately feel like “Stone Cold” Steve Austin to a T. It’s actually difficult to listen to the song without picturing in our heads the imagery of Austin engaging in some kind of in-ring fracas. The vibe on the whole reminds us of that classically metallic, mid-80s WWF sound, similar to The Ultimate Warrior’s theme. It’s aggressive, but memorable; catchy but full of attitude. And it was perfectly suited for The Texas Rattlesnake. Oh, hell yeah.


Which WWE Superstar’s entrance theme gets you the most pumped? Let us know in the comments!