Road House 2024 vs 1989
Round #1: The Town
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Both “Road House” movies are largely about a big-time rumble in a small town. The Eighty-Nine version takes place in the boroughs of Missouri, populated by likable, hardworking and honest Americans. A modest farmer, a mild-mannered shop owner and a troubled nightclub manager are among the endearing players that our hero befriends. The enchanting “Doc” Elizabeth Clay stitches up James Dalton’s wounds and snares his heart. And when Dalton’s mentor Wade Garrett joins the team, the rootin’-tootin’ band of good guys becomes complete. It’s a cast of characters that’s easy to get behind, and they make the stakes feel even higher when the punches start to fly. The new “Road House” trades the rural midwestern locale for a Floridian beach town, called Glass Key. This Dalton is hired by Frankie, the supervisor of a vandalized seaside bar that’s in need of his protection. He’s also welcomed by the humble proprietor of a bookstore and his charming daughter, along with quirky townsfolk and a bizarre legend about a rogue crocodile. His love interest is the fiery Ellie, who slowly opens up about her troubled past and corrupt policeman of a father. All in all, the inhabitants of Glass Key have deeper backstories and bring an extra layer of subtext to the script. The amplified believability and character development mean that we’re even more emotionally invested in this band of misfits. WINNER: 2024 1/ 1989 0
Round #2: The Threats
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Just like ranchers would fight for their land in a classic Western, the townsfolk of Jasper must battle oppression from greedy business tycoons. The robber baron here is Brad Wesley, a wealthy mogul who unofficially “owns” the community. He’s got some burly henchmen in his service - the standout being Jimmy Reno, an ex-con with the combat skills to stand up to Dalton. Wesley initially appears to have a friendly artificial politeness, reminiscent of Dalton’s “be nice” policy. [1] But underneath is a savage tyrant who can instantly command violence to make his point. Reno mirror’s Dalton’s quiet confidence, but he carries it with a devilishly sinister edge. With their unpredictability and inherent barbarism, these thugs definitely feel like a tough takedown. The main antagonist in Glass Key is Ben Brandt, the son of an unseen drug lord that’s stuck behind bars. While Brandt has some solid moments, he comes across mostly whiny and entitled when compared to the original film’s baddies. His goons are mostly forgettable, and even the crooked sheriff doesn’t get much screen time. The villainous spotlight really goes to Knox, a titanous man-mountain who’s recruited to take down Dalton. Knox is doubtlessly a powerhouse, and he’s compellingly entertaining to watch. Still, many of his scenes are played for laughs, and his brutish behavior isn’t quite as scary as Reno’s carefully controlled danger. Ultimately, the threats in the 1989 “Road House” appear much more menacing, so this round goes to the classic. WINNER: 2024 1/ 1989 1
Round #3: Dalton
Each of these leading men fill every frame with their presence, and they’re just as quick to toss out smiles as they are fists. Jake Gyllenhaal’s Elwood Dalton is decidedly darker - a former mixed martial arts competitor who once killed a man after losing control of his anger. Having never forgotten it, Dalton lives in continual fear that he will one day make the same mistake again. Gyllenhaal is certainly charismatic, though he sometimes comes off a bit too goofy. He does a great job of transitioning from moments of comedy to ferocity, and he’s sprouted a few impressive pecs that make his battle victories believable. But Gyllenhaal is still more of an actor than a movie star, and he doesn’t quite have Swayze’s gravitas. James Dalton is so cool, we don’t even hear his first name spoken aloud. He’s a pro bouncer who speaks softly and carries a nasty skillset. Besides his right and left hooks, Dalton comes equipped with a philosophy degree and regularly practices tai chi. Murder also haunts his past, though this crime was committed in self defense rather than a fit of rage. He’s confident yet humble, eager to credit his veteran adviser as being “the best.” [1] Patrick Swayze portrays Dalton with an amiable magnetism that makes him relatable, but the actor’s superstar power also gives the performance plausible fortitude. Gyllenhaal’s updated take on the character is a worthy successor, but nobody puts Swayze in a corner. WINNER: 2024 1/ 1989 2
Round #4: The Fights
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If you’ve chosen “Road House” as your Friday night flick, you’ve probably come for the action. And the original has plenty. There’s a thrilling mix of chaotic bar brawls and well-choreographed hand-to-hand combat. Many of the actors, including Swayze, did their own impressive stunt work. Marshall Teague, who plays the wicked Jimmy Reno, holds a black belt in multiple disciplines of the martial arts, and he happily shows them off in one of the movie’s most memorable standoffs. Sometimes campy and always bloody, the physical feuds of “Road House” never leave the excitement at home. Make sure you’ve packed an extra throat guard. [1] “Road House” 2024 turns up the intensity even more brutal, and even more shirtless, bare-knuckle beatdowns. The action is greater in frequency, and it never hesitates to showcase pain on both sides of the opposition. Real-life MMA fighter Conor McGregor shines in a grand finale faceoff against Dalton, tearing set piece after set piece apart as the two pound each other into oblivion. These matchups feel messier and more disorganized than those in their predecessor, and the result is a heightened sense of manic peril. It feels like anybody could lose. While both movies celebrate the excessive brawn of an over-the-top action flick, the new “Road House” does it with an extra shot of adrenaline. WINNER: 2024 2/ 1989 2
Round #5: The Payoff
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In case you missed the parallels between “Road House” and the Hollywood Western, the newest rendition has some meta commentary for you. [1] With the main conflict resolved and the town at peace, Elwood Dalton hops a Greyhound and rides off into the sunset like the cowboys of old. He still harbors his violent tendencies, but he’s also displayed a sense of justice that the people around him have definitely noticed. [2] 2024’s ending is morally ambiguous and arguably leaves Dalton in the same metaphorical place as where he started. It’s some heavy food for thought. But we signed up for a beefy and brainless popcorn action feature, so do we really want to be analyzing it this much? Which “Road House” is the winner might depend on your answer to that last question. 1989’s James Dalton is also something of a lone desperado, wandering into a troubled village to save the day. You could pick out allegories to predatory capitalism in his tale, finding satisfaction when the oppressed civilians rise up against a nefarious autocrat. More likely you’ll experience a sense of vengeance for the death of Wade Garrett, once you see his murderer taken out. Dalton gets a mild character arc, ultimately refusing to kill Brad Wesley himself. He’s unquestionably “good” and earns himself a commonplace happy ending. The OG “Road House” tugs at all the easy, expected heart strings. And at the end of the day, that’s just what we came for. WINNER: 2024 2/ 1989 3 Do you agree? Or are we gonna have to take this outside?
