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VOICE OVER: Phoebe de Jeu WRITTEN BY: Nick Spake
This is the ending to director Robert Eggers' 2019 film "The Lighthouse" explained. If you're still mulling over what that was all about, allow us to shed a light. We'd strongly advise you to go watch the film before proceeding with this spoiler-heavy analysis. The film centers on Robert Pattinson as Ephraim Winslow and Willem Dafoe as Thomas Wake, two lighthouse keepers who must grapple with confined living space, strong storms, and growing tensions between each other. However... that's where the simple explanation ends. If you left the theater scratching your head after seeing "The Lighthouse", then allow us to explain!

The Lighthouse Ending Explained




If you’re still mulling over what that was all about, allow us to shed a light. Welcome to WatchMojo and today we’ll be explaining the ending of “The Lighthouse.” We’d strongly advise you to go watch the film before proceeding with this spoiler-heavy analysis.



It’s not surprising that “The Lighthouse” was directed and co-written by Robert Eggers, who made his feature filmmaking debut with “The Witch.” Eggers’ sophomore outing is every bit as ambiguous as his debut film, leaving much up to interpretation. Before we dissect the final act, though, let’s go back to the beginning. The film centers on Robert Pattinson as Ephraim Winslow and Willem Dafoe as Thomas Wake, two lighthouse keepers who must grapple with confined living space, strong storms, and growing tensions between each other.





Part of what makes the dynamic between Winslow and Wake so fascinating is that we’re never sure who to root for. As it turns out, Winslow actually stole his name and identity from a man who accidentally drowned. Given Winslow’s violent outbursts and mysterious past, however, we wouldn’t be surprised if his death wasn’t really an accident. Dafoe’s Wake is an equally shady figure who may be taking advantage of Winslow’s wavering sanity. The ship that’s supposed to pick up Winslow never arrives. Maybe this was due to the harsh weather, but what if Wake made Winslow miss the ship by messing with his perception of time? It’s fitting that this movie is shot in black and white, as both characters are morally gray.



In addition to his frustration with Wake, Winslow is overwhelmed with pent-up sexual frustration. He finds a source of pleasure in a small mermaid doll that the previous lighthouse keeper left behind. Soon enough, Winslow finds himself fantasizing about actual mermaids washing up on the shore. If you’ve ever wondered what a hook-up between a mermaid and human would look like, “The Lighthouse” gives us a rather graphic idea. According to British folklore, mermaids are unlucky omens that bring disaster with them. It’s also possible that they’re supposed to represent the sirens from Greek mythology. Anyone who follows the siren song is bound to find death and corruption, which is exactly where Winslow’s journey takes him.





“The Lighthouse” is full of parallels to Greek mythology. In an interview with Vox, Eggers compared the film’s two central characters to Prometheus and Proteus, even though those two “never hung out in any Greek myths before.” In the story, Wake would be Proteus, a sea god who Homer refers to as the “Old Man of the Sea.” In some myths, Proteus is depicted as the son of Poseidon, the god of the sea. Wake certainly has the commanding presence of a god, from his mighty beard to his practically biblical monologues.



Winslow, meanwhile, is an allegory for Prometheus, who goes against the wishes of the Olympian gods and steals fire from Mount Olympus. If Winslow is Prometheus then the lighthouse is definitely Olympus. Throughout the film, Winslow becomes increasingly fascinated with the lighthouse, but Wake refuses to let him in. Hell-bent on learning the truth, Winslow nearly buries Wake alive and ultimately ends his life with an axe. With nothing standing in his way anymore, Winslow finally climbs to the top of the lighthouse and opens the lamp. Engulfed by light as he cackles hysterically to himself, Winslow plummets down the spiral staircase to his doom.





In the next scene, Winslow is lying out on the coast. It’s unclear how much time has passed since his fall, but Winslow’s intestines are now being picked at by hungry birds of prey. This was foreshadowed during the first act when Winslow has multiple run-ins with a one-eyed seagull. Wake warned his young co-worker not to kill any birds, as it would bring nothing but misfortune. Nevertheless, Winslow ignored his advice and bashed the pesky seagull to a pulp. Shortly after, the winds begin to change and it’s all-downhill for Winslow, who meets the same end as Prometheus.



For stealing the fire, Prometheus is forever chained to a rock as punishment. Every day, an eagle returns to eat Prometheus’ liver. Since he’s immortal, Prometheus’ organ always rejuvenates by the time the eagle returns. The eagle is notably the embodiment of Zeus, the king of the Olympian gods. After eons of torture, Prometheus is finally rescued by the divine hero Heracles. Since Winslow doesn’t have immortality on his side, though, it’s unlikely that he’ll be rescued before the birds are through with him.



As the credits roll, the audience is left with one major question in particular: what did Winslow see in the lighthouse? Much like the briefcase in “Pulp Fiction,” we’ll likely never get a definitive answer. It could’ve been something supernatural, especially given much of the Lovecraftian imagery that plague Winslow’s fantasies. Maybe the lighthouse imparted untold wisdom onto Wake, who wanted to keep it all for himself. Perhaps Wake was the guardian of the “enchantment in the light” and had to conceal it from Winslow at all cost.



Of course, it’s also possible that there was nothing special about the lighthouse and Winslow just burnt his hand. The lighthouse is like the forbidden fruit in the story of Adam and Eve or the whale from “Moby-Dick,” something that mankind should’ve left alone. Whatever awaited inside, Winslow was destroyed by his own obsession, curiosity, and insanity. Along with Prometheus, you could also compare Winslow to another Greek figure, Icarus. Both flew too close to the sun, had a great fall, and met a dire fate by the sea.

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"Last night at a screening, someone asked me, 'Why didn%u2019t you photograph what Rob [Pattinson] sees at the end of the movie?' Robert Eggers (the film's director) told Vox. "And I said, 'Because if you saw it, that same fate would befall you.'"
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